Archie's Archery Depot

Dimension: 15 1/2"L x 15 1/2"W x 74 7/8"H Finish: Cappuccino Material: Wood Corner Bookcase Contemporary Style in Cappuccino Finish Features five display shelves. Perfect for tight spaces. Item is designed to be practical in use and to beautify your home decor. Assembly required.

Timberline Double Wall Mug 15oz - Manufacture ID: 42115Double-wall MugThe Timberline Mug is a mountain classic with twin-wall thermal construction that will keep hot and cold liquids at the right temperature for hours. This mug is made of heavy duty stainless steel and will provide many years of service.15 oz (444 mL)

4pcs Sushi Santoku Chef's Knife Knives Cutlery Set w/case This is a brand new Concord's 4pc Sushi Knives cutlery set with case. This set is very rare, each knife is brand new, factory sealed, never been opened. The material is carbon vanadium stainless steel, hand polished blade and Razor sharp edge, it is great for any knife user.

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

Based on Hans Christian Andersen's tale The Princess and the Pea, Once Upon a Mattress opened in May 1959 and was a solid success, if not a huge blockbuster. It did well enough, in any case, to warrant a 1997 revival starring Sarah Jessica Parker. The show was far from revolutionary, but it provided a really fun vehicle for a cast of top stage personalities, including black actress Jane White, who played Queen Aggravain (a part originally written for comedienne Nancy Walker) in whiteface. But of course, Once Upon a Mattress's heart and soul was Carol Burnett, who, in her Broadway debut created the part of Princess Winnifred and delivered two of Mary Rodgers's best songs, the hilarious "Shy" and the spunky "Happily Ever After," which sounds a bit like Jule Styne at his most rhythmic. Burnett's timing and performance remain as sharp as they were 40 years ago. --Elisabeth Vincentelli

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

This is a vhs video cassette tape.

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the Blu-raySleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. The BD-Live features require an awful lot of bother: after wading through (or ignoring) 130 screens of legalese, participants must enter their Social Security number or other personal information in the drawn-out sign-on process. Once that's finally done, viewers can send special messages to pop up during the film, chat online with others who are watching, and view it in synch with others. The question is whether or not you want to. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. Though the titular princess is on par with the rest of Disney's essential heroines, most of the fun arises from the trio of charming fairies entrusted with her care: Flora, Fauna, and Meriweather. Meanwhile the evil Malificent may just be Disney's most chilling villainess. This classic makes wondrous use of Tchaikovsky's same-titled ballet score, which earned SLEEPING BEAUTY an Academy Award nomination for Best Scoring of a Musical Picture.

Features include: •MPAA Rating: G•Format: Blu-Ray•Runtime: 80 minutes

There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys reawaken the kid in us. Filmmaker John Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas

Features include: •MPAA Rating: G•Format: Blu-Ray

Toy StoryThere is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys reawaken the kid in us. Filmmaker John Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney. Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas Toy Story 2John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the few great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular '60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story.Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living forever. Toy Story 2 also achieved something in the U.S. two other outstanding 1999 animated features (The Iron Giant, Princess Mononoke) could not: it became a huge box-office hit. --Doug Thomas Toy Story 3What made the original Toy Story so great, besides its significant achievement as the first-ever feature-length computer animated film, was its ability to instantly transport viewers into a magical world where it seemed completely plausible that toys were living, thinking beings who sprang to life the minute they were alone and wanted nothing more than to be loved and played with by their children. Toy Story 3 absolutely succeeds in the very same thing--adults and children alike, whether they've seen the original film or not, find themselves immediately immersed in a world in which Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), Mr. and Mrs. Potato Head (Don Rickles and Estelle Harris), Ham (John Ratzenberger), Rex (Wallace Shawn), the aliens, and the rest of Andy's toys remain completely devoted to Andy (John Morris) even as he's getting ready to pack up and leave for college. Woody scoffs at the other toys' worries that they'll end up in the garbage, assuring them that they've earned a spot of honor in the attic, but when the toys are mistakenly donated to Sunnyside Daycare, Woody is the only toy whose devotion to Andy outweighs the promise of getting played with each and every day. Woody sets off toward home alone while the other toys settle in for some daycare fun, but things don't turn out quite as expected at the daycare thanks to the scheming, strawberry-scented old-timer bear Lots-o'-Huggin' (Ned Beatty). Eventually, Woody rejoins his friends and they all attempt a daring escape from the daycare, which could destroy them all. The pacing of the film is impeccable at this point, although the sense of peril may prove almost too intense for a few young viewers. Pixar's 3-D computer animation is top-notch as always and the voice talent in this film is tremendous, but in the end, it's Pixar's uncanny ability to combine drama, action, and humor in a way that irresistibly draws viewers into the world of the film that makes Toy Story 3 such great family entertainment. (Ages 7 and older) --Tami Horiuchi

30 Pcs 4mm Precision Screwdriver Set Including T-3,T-4,T-5& Pozi PZ0 For Cell phone, laptop , clock etc.

Every home needs a good set of basic tools, and kits are a great way to get them at a considerable savings. Three things make Denali’s 115-piece kit stand out—the price, an exceptional selection of screwdriver bits, and last but not least, the bag. In fact, it’s hard to find a set of tools as extensive as this for anywhere near this price. If purchased separately, these items would cost $150.00 This kit includes all of the tools you need for just about any household chore, from hanging pictures to fixing a leaky faucet. They are of good quality and should handle all of your household chores and repairs for many years to come. Going through this kit, I really appreciated little touches rarely seen in basic tool sets, like the soft-grip rubber cover on the tape measure that makes it easy and comfortable to hold, and the dizzying array of bits that come with the ratcheting screwdriver handle. But what’s really brilliant is that all of these tools come in a heavy-duty nylon bag. Most tool sets come in big, flat blow-molded cases that can be awkward to store and carry. Plus, some tools invariably fall out when you open the case. That’s why most professionals, after buying a tool set, will throw away the case it came in and go out and buy a separate tool bag or chest to store their tools. The Denali kit’s bag fits easily under a sink cabinet (it actually is the size of a breadbox), and has both a shoulder strap and hand-straps that Velcro together, making it easy to carry around. The mouth of the bag has metal stabilizing rods in the zipper, so it opens wide and stays open, meaning you can set it down, and easily get to any of the tools inside while you are working. There are a ton of pockets lining the inside and outside of the bag to carry little things like nails, screws, tape, picture hangers—all of the little things that seem to crowd your kitchen drawers. Of course, what are most important are the tools themselves. Again, this is a well-appointed set of quality tools that should outfit you for just about any household need. Here is a complete tally: What’s In The Bag HammerThis 16-ounce ripping hammer with heavy duty fiberglass handle is a medium-weight hammer that will handle most household jobs, with claws for pulling nails. Torpedo level A good sturdy level is a must for hanging or straightening pictures, checking tabletop alignment, or mounting towel bars and curtain rods. This 9-inch, aluminum model is accurate, lightweight and easy to handle. Tape measureThe 3/4-inch wide by 16-foot long tape measure has a thumb lock, metric and English markings, marks for placing studs every 16-inches, a belt clip, and a soft-grip rubber shell that makes it easy to grip and comfortable to hold. Heavy-duty zinc utility knife with rubber grip Wrenches 16-piece hex key set These are also called Allen wrenches. The kit comes with 8 in metric and 8 in English measurements. 6-piece combination wrench set with steel clip Pliers 8-inch needle- nose pliers with wire-cutting blades, useful for getting into small spaces and gripping small nails, screws, nuts, etc. (meets or exceeds ANSI standards) 8-inch diagonal pliers (meets or exceeds ANSI standards) 8-inch groove-joint pliers(meets or exceeds ANSI standards) 7-inch nickel-coated locking pliers are essential for getting a good, solid grip, especially when working in small spaces that don’t allow you to grip with your full strength. wire cutters Screwdrivers Wow, you’d never imagine needing a star-drive screwdriver, until you buy that fancy new European dishwasher. Denali’s kit includes a ratcheting handle with a selection of interchangeable bits to provide an exceptional array of screwdrivers in all sizes and head shapes. The ratcheting handle is a nice feature, making it a lot easier to drive screws that are upside down or in tough to see places, where you really don’t want release pressure on the screwdriver handle to keep turning it. 14 flat head: 4, 5, 6, and 7 mm and 3/32-, 1/8-, 5/32-, 3/16- (x3), 7/32-, and 1/4- (x3) inch 9 Phillips head: 1x2, 2x5, and 3x2 3 square head: S1, S2, and S3 10 star head: T6, T7, T8, T10, T15, T20, T25, T27, T30, and T40 10 hex: 3, 4, 5, 6, and 7 mm and 1/8-, 5/32-, 3/16-, 7/32-, and 1/4-inch 4 Pozidriv: PZ0, PZ1, PZ2, and PZ3 Poszidriv screws are similar to Phillips head screws, but are less prone to slippage at high torque and so provide better performance when working with air and power tools. Note that Pozidriv screwdrivers are likely to slip or tear out the screw head when used in Phillips screws. 14 nut drivers Drill Bits This is interesting, since the kit doesn’t come with a drill. The manufacturers apparently assume that either you have a cordless drill and will appreciate a couple of good bit sets, or that if you don’t have one, you should get one. They’re right. If you don’t have a good, basic, cordless drill, you’ll appreciate it when you do. Check out Amazon's selection of cordless drills. 13-piece titanium-coated high-speed steel with steel case: 1/4-, 15/64-, 7/32-, 13/64-, 3/16-, 11/64-, 5/32-, 9/64-, 1/8-, 7/64-, 3/32-, 5/64-, and 1/16-inch 50-piece chrome vanadium steel 1-inch screwdriver bit set can be used with either a cordless drill or the ratcheting screwdriver included in this kit. 5-piece masonry bit set with steel case: 5/32-, 3/16-, 1/4-, 5/16-, and 3/8-inch

33 Screw Bits for Vehicle, Computer & Electronic RepairThis is a new set of 33 screw bits. These are great for vehicle, computer and electronic repair. These are used with specialty security screws.You receive: 9 Torx head security bits sizes: T8, T10, T15, T20, T25, T27, T30, T35 and T40 3 Torq head security bits sizes: 6, 8 and 10 mm 6 Hex head security bits sizes: 5/64 in., 3/32 in., 7/64 in., 1/8 in., 9/64 in. and 5/32 in. 6 Hex head security bits sizes: 2, 2.5, 3, 4, 5, 6 mm 4 Spanner head security bits sizes: 4, 6, 8 and 10 mm 4 Tri-Wing head security bits sizes: 1, 2, 3 and 4 mm 1 Hex head extension We work hard to update our descriptions and pictures of our merchandise. As part of a process of ongoing innovation by our suppliers, newer versions of the item shown may be shipped before we are able to complete an update. As a result there may be a slight variation in color and design.

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the DVDSleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. Though the titular princess is on par with the rest of Disney's essential heroines, most of the fun arises from the trio of charming fairies entrusted with her care: Flora, Fauna, and Meriweather. Meanwhile the evil Malificent may just be Disney's most chilling villainess. This classic makes wondrous use of Tchaikovsky's same-titled ballet score, which earned SLEEPING BEAUTY an Academy Award nomination for Best Scoring of a Musical Picture.

Indiana Jones and the Raiders of the Lost ArkIt’s said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with ‘70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn’t disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humor, horror… not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there’s real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century’s most infamous criminals (the Nazis). Now that’s entertainment. --Sam GrahamIndiana Jones and the Temple of DoomIt’s hard to imagine that a film with worldwide box office receipts topping $300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas’ 1980s adventure trilogy, to be just that. That doesn’t mean it’s a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it’s also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man’s chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character’s shortcomings. A six-minute introduction by Lucas and Spielberg is the prime special feature, with both men candidly addressing the film’s good and bad points (Lucas points out that the second Star Wars film, The Empire Strikes Back, was also the darkest of the original three; as for Spielberg, the fact that the leading lady would soon become his wife was the best part of the whole trip). Also good are "The Creepy Crawlies," a mini-doc about the thousands of snakes, bugs, rats and other scary critters that populate the trilogy, and "Travels with Indy," a look at some of the films’ cool locations. Storyboards and a photo gallery are included as well. --Sam Graham Indiana Jones and the Last Crusade Not as good as the first one, but better than the second. That’s been the consensus opinion regarding Indiana Jones and the Last Crusade, the final installment in Steven Spielberg and George Lucas’ original adventure trilogy, throughout the nearly two decades since its 1989 theatrical release. It’s a fair assessment. After the relatively dark and disturbing Temple of Doom (1984), The Last Crusade (1989) recalls the sheer fun of Raiders of the Lost Ark (1981). With its variety of colorful locations, multiple chase scenes (the opening sequence on a circus train, with River Phoenix as the young Indy, is one of the best of the series, as is the boat chase through the canals of Venice), and cloak-and-dagger vibe, it’s the closest in tone to a James Bond outing, which director Spielberg has noted was the inspiration for the trilogy in the first place; what’s more, it harkens back to Raiders in its choice of villains (i.e., the Nazis--Indy even comes face to face with Hitler at a rally in Berlin) and its quest for an antiquity of incalculable value and significance (the Holy Grail, the chalice said to have been the receptacle of Christ's blood as he hung on the cross). Add to that the presence of Sean Connery, playing Indy’s father and having a field day opposite Harrison Ford, and you’ve got a most welcome return to form. Special features include a six-minute introduction by Spielberg and Lucas, who discuss the grail as a metaphor for bringing Indy and his estranged father together and agree that Crusade is the funniest of the three films; "Indy’s Women," an American Film Institute tribute with leading ladies Karen Allen, Kate Capshaw, and Alison Doody each discussing her character (Capshaw candidly describes Temple of Doom’s Willie Scott as "whiny, petulant, and annoying"); "Indy’s Friends and Enemies," a look at the films’ various villains and sidekicks; plus storyboards and photo galleries. --Sam Graham Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

Indiana Jones: The Complete Adventure Collection

COVER PROBE THERMOMETER THERMOSCAN : Probe covers for Thermoscan thermometers Pro 1/Pro-lt 200/packCase of 200