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Filmed live in Los Angeles, this concert from Beyonce features a variety of her solo hits, as well as songs from "Dreamgirls" and a very special Destiny's Child reunion. Selections include "Freakum Dress," "Bootylicious," "Say My Name," "Speechless," "Upgrade U" (featuring Jay-Z), "Welcome to Hollywood," "Deena/Dreamgirls," and more. 130 min. Widescreen; Soundtracks: English Dolby Digital 5.1, PCM stereo.

Though Beyonce Knowles has earned fame as an actress and a spokesmodel, she is first and foremost a singer, as she showcases in the entertaining concert film The Beyonce Experience Live. Polished, effortlessly glamorous, and a strong showman, Knowles is the Diana Ross of the 21st century. The singer-songwriter is equally comfortable belting out a rocking dancing number or crooning a heart-wrenching ballad. Though she shares the stage at times with her boyfriend Jay-Z and her bandmates in Destiny's Child, The Beyonce Experience Live makes it clear that she really is a one-woman act. The packaging on the DVD asks, "Are you ready to be entertained?" The answer better be yes, because Knowles gives it her all. Singing, dancing, joking around, costume changes--it's all there. And Knowles is the type of likable performer who makes viewers feel that even though she may be more talented (and prettier) than the rest of us, she's really just one of the girls. Then, too, you've got to love a gal who celebrates a woman's right to gain a few pounds (aka "jelly") in the infectiously catchy hit "Bootylicious." The film does a good job of including various phases of her musical career, from a defiant rendition (with Destiny's Child) of "Survivor," to a funky duet with Jay-Z on "Upgrade U," to a tongue-in-cheek rendition of "Check on It" (from the soundtrack of Pink Panther). While Jennifer Hudson completely overpowered her in the film adaptation of Dreamgirls, Knowles has a pleasant voice well suited for R&B-tinged pop. She paces her set well and doesn't overextend herself to the point where she has to rely on audio tracks to supplement her vocals. Many tour films fail in capturing the excitement of a live concert experience. The Beyonce Experience Live is about as good as you can get to seeing Knowles live, but without having to buy a ticket. --Jae-Ha Kim

Funk 101, for sure. We may never totally understand how James Brown took his music from the earlier styles of R&B he assimilated to the feverish development of the harder, more modern sound of records ranging from "Papa's Got a Brand New Bag" to "Say It Loud-I'm Black and I'm Proud," but here's another chance for us to listen in awe. In addition to long versions of the period's cornerstones, Foundations of Funk offers an alternate take of "Cold Sweat" and live versions of "Licking Stick-Licking Stick" and "Mother Popcorn"--the latter achieving a meltdown that puts the Brown band on the same side of the street as Funhouse-era Stooges. Hah! --Rickey Wright

Radio's famous feuders, Jack Benny and Fred Allen, made their only film appearance together in this riotous romp about a flea circus owner who inherits a fortune...with a catch. Co-stars Jerry Colonna, Robert Benchley and William Bendix. 87 min.

Protect your electronic devices while traveling.

A wall mounted grocery bag holder comes complete with mounting hardware. This stainless steel unit features easy tuck opening and wide dispensing area.

2 TOOLS-IN-ONE THAT FEATURES MORE POWER DURABILITY & IS EASY TO USEEXCLUSIVE POWERDRIVE TRANSMISSION DELIVERS MORE POWER FROM THE MOTOR TO THE CUTTING STRING SO THE JOB CAN GET DONE FASTERGREAT CUTTING RESULTS WITHOUT THE MESS & HASSLES OF GASINSTANTLY STARTS EVERY TIME WITH THE PULL OF A TRIGGEREASILY CONVERTS FROM A TRIMMER TO AN EDGERINCLUDES TWO 18V BATTERIES FOR DOUBLE THE RUN TIMEUPC : 885911226325Shipping Dimensions : 41.25in X 8.50in X 4.90inEstimated Shipping Weight : 10.55

The delightful sitcom The Big Bang Theory revolves around a character type rarely seen on television: The alpha geek. Physicists Leonard (Johnny Galecki) and Sheldon (Jim Parsons) get their lives shaken up when an attractive young woman named Penny (Kaley Cuoco) moves in to the apartment across from theirs. The key to the show, though, is not that they both fall haplessly in love--Leonard does, but Sheldon remains impermeably aloof and caustic about anything resembling romance or human relationships in general. While the push and pull of Leonard's yearning for Penny motivates much of the series' ongoing plot, the show's real drive comes from Sheldon's fantastic combination of obsessive-compulsive neurosis and grandiose obliviousness. He's a brilliant comic creation, imperious and dorky, a seamless collaboration of clever writing and an inspired performance by Parsons. Whether Sheldon loses his job for insulting his new boss, or finds his ego bruised by a child prodigy, or finds himself unable to bear being part of a lie that Leonard has told, he attacks the world with a relentless need to assert his supremacy--and the results are deeply funny. The triumph of The Big Bang Theory is that everyone is written with genuine affection; what could have been a lifeless parade of stereotypes--Two Nerds and a Hot Chick--becomes instead a charming collision of cultures. The familiar stuff (computer games, comic books, social incompetence) has the grit of specificity; the show understands the difference between Halo and Halo 3, knows what the Bottle City of Kandor is, and grasps the infinite variety of ways in which a conversation can go terribly awry. (Penny gets less nuance, but Cuoco still gives her a distinctive personality.) Kudos as well to supporting players Simon Helberg and Kunal Nayyar, who bring their own variations on geekiness to the table, and to great appearances by some of Galecki's former cohorts on Roseanne--Sara Gilbert as geekette Leslie and Laurie Metcalf as Sheldon's fundamentalist mother. All in all, one of the most winning sitcoms in years. --Bret Fetzer

All 17 episodes of the debut season--including "Pilot," "The Middle Earth Paradigm," "The Pancake Batter Anomaly," "The Nerdvana Annihilation," and "The Tangerine Factor"--are featured in a three-disc set. 6 hrs. total. Widescreen (Enhanced); Soundtrack: English Dolby Digital Surround stereo; Subtitles: English (SDH), Spanish, Chinese, Korean, Portuguese, Thai, French; featurette. **17 episodes on 3 discs. 6 hrs.**

"Gut-bustingly funny. Bridesmaids gets an A!!!" (Owen Gleiberman, Entertainment Weekly) From the producer of Superbad, Knocked Up and The 40-Year-Old Virgin comes the breakout comedy critics are calling "brazenly hysterical!" (Alynda Wheat, People)  Thirty-something Annie (Kristen Wiig) has hit a rough patch but finds her life turned completely upside down when she takes on the Maid of Honor role in her best friend Lillian's (Maya Rudolph) wedding. In way over her head but determined to succeed, Annie leads a hilarious hodgepodge of bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to the big event. Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Chris O'Dowd, Ellie Kemper, Wendi McLendon-Covey, Melissa McCarthy, Matt Lucas, Jill Clayburgh, Rebel Wilson, Michael Hitchcock, Terry Crews, Kali Hawk, Tim Heidecker, Jon Hamm Directed by: Paul Feig

The delightful Kristen Wiig, who's shone in dozens of supporting roles and on Saturday Night Live, hits a bull's-eye with her first lead role in Bridesmaids. Annie (Wiig) isn't doing so well; her bakery failed and she keeps sleeping with a good-looking louse (Jon Hamm, Mad Men), but she's always had her best friend Lillian (Maya Rudolph, Away We Go) to buoy her up… until Lillian gets engaged. Annie becomes maid of honor, but another friend of Lillian's--the rich and lovely Helen (Rose Byrne, Get Him to the Greek)--wants to take over that position. Misadventures with bad Brazilian food, dress fittings, an unfortunate flight to Vegas, and a sympathetic traffic cop (Chris O'Dowd from British TV comedy The IT Crowd) follow, with increasingly hilarious results. Bridesmaids successfully balances raunchy comedy and character portrait. The embarrassing and socially catastrophic stuff, which in too many movies balloons into absurdity, is here kept in check just enough to allow Annie and the other characters to be multidimensional people--without the movie losing its comic capacity for cringe. (Actress Melissa McCarthy, of Mike & Molly, works miracles with a character than in most hands would be pure cartoon.) Wiig's enormous appeal keeps Annie sympathetic, even as she becomes more and more of a train wreck. Bridesmaids is both smart and dumb, raunchy and earnest, and altogether enjoyable. --Bret Fetzer