Archie's Archery Depot

K-Cup Adapter for B40 Elite, B50 Ultra, B60 Special Edition Keurig brewer / Allows you to use any gourmet ground coffee desired in your Keurig brewer

These are after market filters that are specifically designed for Cuisinart coffeemakers, and meet or exceed factory specifications. Filters meet FDA requirements,

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

Popularly known as the "Brown Album," this is the collection people first think of when this august outfit's name is mentioned. The four-parts Canadian, one-part Arkansan quintet's sophomore effort boasts more soon-to-be-staples than any other Band studio recording, what with the likes of the Joan Baez hit "The Night They Drove Old Dixie Down," "Across the Great Divide," and "Up on Cripple Creek" standing out among the dozen uniformly memorable tracks. Lesser-known group originals such as the achingly lovely "Whispering Pines" and the cryptic "Unfaithful Servant," however, play crucial roles in giving this 1969 classic its unique flavor. Given the high standard established by The Band and its better-still 1968 predecessor, Music from Big Pink, it's not surprising the Band peaked early as a recording group. As with all the 2000 Band reissues, this remastered reissue boasts a number of bonus tracks, though all but "Get Up Jake" are alternate takes of album selections. --Steven Stolder

BAND THE THE BAND

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

What happens when three of the world's finest rock guitarists gather to discuss music? Find out in this engrossing documentary that brings together Led Zeppelin's Jimmy Page, U2's The Edge, and The White Stripes' Jack White for a candid conversation about the impact that the invention of the electric guitar has had on society as well as their lives and careers. 98 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), Spanish, Arabic, Portuguese.

In space no one can hear you kvell as you open this deluxe collector's set. Along with "Alien" (1979 theatrical version and 2003 director's cut), "Aliens" (1986 theatrical version and 1991 special edition), "Alien 3" (1992 theatrical version and 2003 special edition), and "Alien Resurrection" (1997 theatrical version and 2003 special edition), there's also two bonus discs bursting with extra features. Six-disc set.

Review of AlienA landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff ShannonReview of AliensAliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall FineReview of Alien 3The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall FineReview of Alien ResurrectionPerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

The most famous episode in franchise history, "The Trouble with Tribbles," is one of the highlights of the second season of Star Trek: The Original Series. A deserved classic, the humorous story centers on an ever-expanding mass of furry creatures that memorably rain themselves down on top of Captain Kirk (William Shatner) and into the middle of a Federation-Klingon showdown. It inspired one of the most memorable episodes in the spin-off series Deep Space Nine, "Trial and Tribble-ations." Also in the second season, the Vulcan culture of Mr. Spock (Leonard Nimoy) is fleshed out in "Amok Time" (in which Spock is faced with the possibility of killing his captain and friend) and "Journey to Babel" (introducing Spock's father, played by Mark Sarek, in what would turn out to be a long-recurring role). A new character, navigator Pavel Chekov (Walter Koenig), was introduced; his Monkees haircut was intended to appeal to the younger audience, but he was also a Russian, which at the height of the cold war reflected Gene Roddenberry's optimistic vision of a more enlightened future. Other social-commentary opportunities presented themselves in "The Omega Glory," "The Doomsday Machine," and "Assignment: Earth," the last also one of those periodic opportunities to scrimp on the budget by time-traveling to an earlier version of Earth. Another example was "A Piece of the Action," a comic episode set in the Roaring Twenties and memorable for, among other things, Kirk's teaching a made-up card game called Fizzbin. In other significant episodes, "I, Mudd" saw the return of the bounder from season 1, "The Changeling" was the original inspiration for the first Trek feature film a decade later, "Wolf in the Fold" (penned by the author of Psycho) provides an example of the series' great writing, and "Mirror, Mirror" introduced the concept of the parallel universe inhabited by vicious, amoral counterparts of the regular crew, another theme later borrowed (more than once, and to good emotional effect) by DS9. On the DVD The remastered episodes are the highlight of the 2008 second-season release; like in season one, the reworked visual effects might irk purists but are an improvement overall, and some of the space exteriors are very exciting. It's not in high definition, however; season one was released in 2007 on two-sided combination HD DVD and standard DVD discs, which are now obsolete. Season two mimics the packaging, but is only standard-definition DVD, not Blu-ray. The picture, while obviously not high-definition quality, is still much improved over the 2004 DVD release. Special features here mostly mirror that 2004 set: 80 minutes of featurettes ("To Boldly Go" season recap, " Kirk, Spock & Bones: The Great Trio," "Star Trek's Divine Diva," "Designing the Final Frontier," and "Writer's Notebook: D.C. Fontana"), though missing from this set are the text commentaries on two episodes, the Red Shirt Logs, the production art, and the photo gallery. There are two new featurettes: "Star Trek's Favorite Moments," in which cast members of later Trek franchises and fans recall certain episodes, and "Billy Blackburn's Treasure Chest, part 2," in which a Trek extra tells stories and shows some of his on-set home movies. And because season 2 includes "The Trouble with Tribbles," the set includes two bonus episodes: "More Tribbles, More Troubles" from the Animated Series and "Trials and Tribble-ations" from Deep Space Nine. Conveniently, all three Tribble-centric episodes are on the same disc, and include the bonus features from the earlier DVD releases (the commentary by writer David Gerrold on "More Troubles" and the two featurettes--"Uniting Two Legends" and "An Historic Endeavor"--from "Tribble-ations"). The bonus episodes were not remastered, and you can tell the difference when comparing the original Tribble episode on this set with the grainier footage that was used in the DS9 episode. A minor annoyance is that the discs are one-sided but appear to be two-sided, as if they had been designed for combo HD DVD again before a late change. That means the info on the disc is restricted to a ring around the middle, rather than a full label that could have listed the episodes on each disc; as is, they're only listed on the glossy "collector's data cards." And once again, the plastic shell is clunky and the disc spindles are way too tight. All in all, it's a nice package, especially if one doesn't already have the other Tribble episodes, but it feels like it's floating in a standard-definition limbo, stuck in the transition between HD DVD and Blu-ray. --David Horiuchi

All 26 episodes from the series's second season--including "Amok Time," "Mirror, Mirror," "Journey to Babel," "The Trouble with Tribbles," and "Assignment: Earth"--are featured in a seven-disc set. Includes the broadcast versions of the episodes and the remastered versions featuring all-new CGI special effects. 21 3/4 hrs. total. Standard; Soundtracks: English DTS HD 7.1 Master Audio, Dolby Digital mono, French Dolby Digital mono, Spanish Dolby Digital mono; Subtitles: English (SDH), French, Portuguese, Spanish; featurettes. **26 episodes on 7 discs. 21 3/4 hrs.**

The winner of 1934's Best Picture Oscar proves that the Academy hasn't changed its tune much in 50-plus years. Though films of that year, such as King Kong, still remain in the public psyche, Cavalcade, which is rarely seen now, fits the Academy's bill as an "important" film, one worthy of the Best Picture title. It chronicles the life of two British families, from the eve of the 20th century to 1933. One family is upstairs, the other downstairs, but it's less a view of the class struggle than a remembrance of things past. People honeymoon on the Titanic, they fight in the War to End All Wars, and they seem to entirely avoid the 1920s. Based upon Noel Coward's play, young couples banter using frightfully high-tea terms--everyone's "dreadful," "horrid," or "pathetic." A final montage tirade about the decrepit state of the times (hey, they did it back then, too!) almost knocks the legs out from under the whole proceedings, but it holds on. Stiff upper lip and all that. --Keith Simanton

The Contech Electronics Scarecrow Motion-Activated Sprinkler presents an innovative, humane way to keep pets and wildlife from disturbing your yard and garden without the use of complicated traps or potentially hazardous chemicals. The sprinkler combines a surprise spray of water with unexpected motion and noise to create a safe, effective deterrent to unwanted visitors, helping keep your garden looking its best. .caption { font-family: Verdana, Helvetica neue, Arial, serif; font-size: 10px; font-weight: bold; font-style: italic; } ul.indent { list-style: inside disc; text-indent: 20px; } table.callout { font-family: Verdana, Helvetica, Arial, serif; margin: 10px; width: 250; } td.callout3-c26 { height: 100 percent; background: url('http://g-ecx.images-amazon.com/images/G/01/th/content_26/Q1_2009/c26-callout3.png') repeat-y; border-left: 0px solid #999999; border-right: 1px solid #999999; padding: 10px; width: 250px; } ul.callout { list-style: inside disc; text-indent: -12px; font-size: 12px; line-height: 1.5em; } h5.callout { text-align: center; } img.withlink {border:1px black solid;} a.nodecoration {text-decoration: none} The Contech Electronics Scarecrow Motion-Activated Sprinkler: Uses a startling burst of water to deter animals Teaches pets and wildlife to avoid your yard and garden Is safe, humane, and One Scarecrow can cover up to 1000 sq.ft. View larger. The Scarecrow protects your garden without using any hazardous chemicals. View larger. Safe, Humane Deterrent Helps Protect Your Garden A huge amount of time and energy goes into keeping your yard and garden looking great, so it's only natural that you want to protect them from damage caused by hungry wildlife or local dogs and cats. But there are lots of reasons to avoid chemical deterrents, traps, and hazardous electric fences. Whether you're a dedicated organic vegetable gardener or a parent looking out for the health of children and pets that play in your yard, you'll appreciate the simple, innovative, and effective water-based concept behind the Scarecrow Motion-Activated Sprinkler. It's also a great choice for neighborhoods where fences are prohibited and for people who consider wire fences and other visual barriers unappealing. When the ScareCrow detects an animal it instantly releases a short but startling burst of water. The sudden spray of water and the movement and noise of the sprinkler scares animals away. Animals associate this negative experience with the area and avoid your yard in the future. Versatile and Broad-Reaching for Maximum Effectiveness The Scarecrow is versatile enough to keep deer, rabbits, and other foragers from snacking on plants and bulbs, to prevent dogs from digging up newly seeded lawns, to keep the cat from using your garden as a litter box, and to scare predators like herons and raccoons away from your fish pond. The ScareCrow's motion detector is powerful enough to guard an area up to 1000 square feet of coverage with a single sprinkler. For added coverage, Scarecrow sprinklers can be linked in series to guard larger spaces. Efficient Design and Easy to Set Up Setting the Scarecrow up is fast and easy, and doesn't require any special tools. Simply install a standard 9-volt battery, connect the sprinkler to your hose, push the 17-inch stake into ground to secure the unit, and set the adjustable sprinkler arc to cover the area you want protected. What's in the Box Scarecrow Motion-Activated Sprinkler Keep cats from using your garden as a litter box or prevent raccoons and herons from snacking in your fish pond.

Contech 300000296 scarecrow sprinkler

The Stud 4 Sure is a stud finder that uses powerful rare earth magnets to pinpoint the exact location of screws or nails in a stud. The tool doesn’t require batteries and never needs calibration. By keeping the tool free of moving or electronic parts, the Stud 4 Sure is easy to use and fits easily into any tool pouch. Just place the stud finder on the wall and sweep in an "S" pattern to locate any metal fastener. The rare earth magnets are strong enough to allow Stud 4 Sure to hang hands-free on a wall, eliminating the need for pencil markings. The ergonomically designed, China made product is guaranteed to last a lifetime of being tossed, dropped, and banged around.

When Jillian Michaels says "you can lose up to 20 pounds in 30 days" by following her 20-minute-a-day workout, believe her. There's a reason her 30 Day Shred workout has become a national hit: it works. But anyone who's ever seen Michaels work out with contestants on The Biggest Loser knows it's not necessarily going to be easy. The 30 Day Shred features three 20-minute workouts, each of which features, in rapid succession, short bursts of strength, cardio, and abs, and a cool-down. Sound easy? Think again. Even the beginner-level workout will have users' heart rates up. Michaels allows no resting between each short burst of exercise, which is part of why the results happen so quickly. The transitions between strength, which can feature classic moves like pushups or reps with small weights, and cardio, and then between cardio and abs, are a mere second or two. But that pacing helps guarantee the results that Michaels touts. "This helps you burn more fat and more calories, and gets you toned that much faster," Michaels exhorts as she zips through the exercises. There are a few modified moves for true beginners, but even for them, Michaels doesn't cut much slack; everyone has to do real jumping jacks, and a lot of them. "I have 400-pound people who can do jumping jacks," Michaels says "and if they can do it, you can do it!" The only thing you need to jump into the 30 Day Shred is a set of small hand weights, and, if you have a hard floor, a mat for the floor moves. Otherwise, commit 20 minutes a day for a month, and get that lean, shredded body you've always wanted. --A.T. Hurley

If Jillian Michaels can help "The Biggest Loser," just imagine what she could do for you! The popular reality show trainer leads three 20-minute workouts in this program devoted to circuit training, calorie burning, and muscle building. Features warm-ups and cool-downs. 60 min. Standard; Soundtrack: English Dolby Digital stereo.

Studio: Pbs Release Date: 01/11/2011 Run time: 368 minutes

An addictive blend of suds and social commentary, ITV's Downton Abbey brings a microcosm of Edwardian society together under one roof. Lord Robert Crawley (Hugh Bonneville) and his family live a life of leisure, while a fleet of servants, including butler Carson (Jim Carter), attend to their every need, but two events conspire to shake things up: the sinking of the Titanic, which claims Crawley's heirs, and the return of his valet, Bates (Brendan Coyle). Since Crawley and Lady Cora (Elizabeth McGovern) have three daughters, his distant solicitor cousin, Matthew (Dan Stevens), becomes heir to the estate. With that, the scheming begins, since Thomas the footman (Rob James-Collier) views Bates as an interloper and Crawley's mother, Violet (Maggie Smith), feels the same way about Matthew's mother, Isobel (Penelope Wilton). In the tradition of the BBC's Upstairs Downstairs and Robert Altman's Gosford Park, for which writer-creator Julian Fellowes received an Academy Award, the royals, servants, and middle-class relations struggle to get along. Sniffs uptight maid Miss O'Brien (Siobhan Finneran), "Gentlemen don't work," but that doesn't stop Mary (Michelle Dockery) and Edith Crawley (Laura Carmichael) from competing for Matthew's affections. Though it takes awhile to warm up to the tightest-wound characters, most everyone reveals their more vulnerable side before the first season comes to an end, and a new small-screen classic is born. The entire sprawling cast is quite wonderful, particularly Bonneville, Carter, and James-Collier, who provide a fascinating study in contrasts (the latter is downright dastardly). Unlike the version that aired on PBS's Masterpiece Classic, this set offers seven parts rather than four. Extras include a featurette, in which cast and crew discuss the production, and an introduction to Hampshire's Highclere Castle, which doubles for Downton Abbey. The first season was a phenomenon in the United Kingdom, and Fellowes has promised a second season set during World War I. --Kathleen C. Fennessy

Brand New