Archie's Archery Depot

The Melissa and Doug Shape, Model, and Mold Kit includes everything your little one needs to create fun, clay creations! Offering hours of imaginative fun, each kit includes 4 tubs of modeling dough, molded lids, a patterned wheel press, 5 wooden stamping cubes, and 3 patterned rolling pins. Children will have a blast rolling, cutting, pressing, and shaping their way to fun!

To say there has been a lot of anticipation for Coldplay's fourth album, Viva La Vida, is an understatement. Having enlisted legendary leftfield producer Brian Eno, borrowed their album title from a painting by renowned Mexican artist Frida Kahlo and made tantalising remarks about sonic reinvention, the world has been curious (to say the least) to hear what the `new' Coldplay might sound like. Viva La Vida definitely makes some departures from the band's usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements. The old Coldplay still shine through (see tracks like "Violet Hill" and the title song) but even their classic sound feels more muscular and confident. The band's new flourishes, cosmetic and self-conscious as they may be, are enough to make Viva La Vida a welcome break from the old routine --Danny McKenna People en Español Cuando Coldplay anunció con bombo y platillo que su cuarto disco, bajo el ambicioso título de Viva La Vida or Death and All His Friends, vendría acompañado de la producción de Brian Eno, dos escenarios se convertían en posibilidad: o se trataba de su peor álbum o la obra maestra de su carrera. Afortunadamente, la producción de Eno no lleva a la banda británica a imitar a U2 por ningún momento, y en cambio, el grupo liderado por Chris Martin presenta el mejor disco en su trayectoria, ofreciendo un sonido distinto, en el que por fin se alejan del pianito hartante de sus primeros tres álbumes y suenan como lo que siempre prometieron ser: una de las mejores bandas del mundo. "Life In Technicolor," "Viva la Vida," y sobre todo el tema "Lost!," representan a Coldplay en su momento cumbre. --Ernesto Sánchez (People en Español )

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

2012 EP, the third installment from the Electronic sensation. Bangarang follows its widely successful predecessors, Scary Monsters And Nice Sprites and More Monsters And Sprites EPs. The release of this EP comes just weeks after Skrillex's breakout smash Scary Monsters And Nice Sprites broke 500,000 in sales. With five 2012 GRAMMY nominations already under his belt, 2012 is setting up to be another monster year for the rising star.

For those music buyers who have enjoyed Barry White's music since the early 1970s but may not be devoted enough for the three-CD box set Just for You, this 20-track compilation brings together all of White's major chart hits between 1973 and 1979, along with a couple of entries from his Love Unlimited Orchestra. White's distinctive vocal style--a deep, resonant baritone-bass that oozes sex appeal--was the icing on the cake for those hits; superlative string arrangements (courtesy of the late Gene Page) encased White in a lush setting, while White's hand-picked rhythm section (which included many of Los Angeles's top session players) created a groove that was hard to beat. The combination was lethal: hits like "Never, Never Gonna Give You Up," "Can't Get Enough of Your Love, Babe," and "You're My First, My Last, My Everything" made White a chart staple and an early king of disco; his skill as a vocal interpreter was fully evident on a 1979 reading of Billy Joel's "Just the Way You Are," another standout on this collection. On the evidence of that track alone, it's hard to believe that, according to legend, White never planned to be a recording artist in his own right and would have been happy to remain in the background as producer and songwriter! --David Nathan

The most hot-buttered of all soul singers, Barry White is an artist whose CDs come with a purpose. To say what that purpose is, is not for a family Web site--but it involves that thing that Mommy and Daddy do at night with the bedroom door closed. All-Time Greatest Hits collects the essential White and Love Unlimited Orchestra tracks onto a packed CD. Are 20 cuts too much? Not with Viagra. That's a kind of medicine that grownups take. --Gavin McNett

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

The perennial sci-fi franchise is reinvigorated, courtesy of "Lost" creator J.J. Abrams. Reckless Starfleet cadet James T. Kirk (Chris Pine), logical Vulcan instructor Spock (Zachary Quinto), down-and-out doc Leonard "Bones" McCoy (Karl Urban), and the rest of the Enterprise crew come together for the first time to stop a vengeful Romulan (Eric Bana) who's traveled back in time, creating an alternate reality. Simon Pegg, Zoe Saldana, John Cho, Anton Yelchin, and Leonard Nimoy also star. 126 min. Widescreen; Soundtracks: English Dolby TrueHD 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish, Portuguese; audio commentary; featurettes; deleted scenes; gag reel; bonus digital copy for PC; more. Three-disc set. NOTE: This Title Is Out Of Print; Limit One Per Customer.

J.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg).The action and visuals make for a spectacular Big-Screen Movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi Stills from Star Trek (Click for larger image)

Disney returns to traditional animation with this loose adaptation of E.D. Baker's novel "The Frog Princess." In early 1900s New Orleans, Prince Naveen--transformed into a frog by a voodoo curse--mistakes the beautiful Tiana for a princess whose kiss will break the spell. But when the smooch also turns Tiana into a frog, the pair must race to find a way to change them both back, falling madly in love along the way. Features the voices of Anika Noni Rose, Bruno Campos, Jim Cummings, and Oprah Winfrey. 98 min. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, DVS Dolby Digital stereo, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; audio commentary; deleted scenes; game; music video; featurettes; art gallery; bonus digital copy; more. Three-disc set.

After the visual bombast of many contemporary CG and motion-capture features, the drawn characters in The Princess and the Frog, the Walt Disney Studio's eagerly awaited return to traditional animation, feel doubly welcome. Directed by John Musker and Ron Clements (The Little Mermaid, Aladdin), The Princess and the Frog moves the classic fairy tale to a snazzy version of 1920s New Orleans. Tiana (voice by Anika Noni Rose), the first African-American Disney heroine, is not a princess, but a young woman who hopes to fulfill her father's dream of opening a restaurant to serve food that will bring together people from all walks of life. Tiana may wish upon a star, but she believes that hard work is the way to fulfill your aspirations. Her dedication clashes with the cheerful idleness of the visiting prince Naveen (Bruno Campos). A voodoo spell cast by Dr. Facilier (Keith David) in a showstopping number by composer Randy Newman initiates the events that will bring the mismatched hero and heroine together. However, the animation of three supporting characters--Louis (Michael-Leon Wooley), a jazz-playing alligator; Ray (Jim Cummings), a Cajun firefly; and 197-year-old voodoo priestess Mama Odie (Jenifer Lewis)--is so outstanding, it nearly steals the film. Alternately funny, touching, and dramatic, The Princess and the Frog is an all-too-rare example of a holiday entertainment a family can enjoy together, with the most and least sophisticated members appreciating different elements. The film is also a welcome sign that the beleaguered Disney Feature Animation Studio has turned away from such disasters as Home on the Range, Chicken Little, and Meet the Robinsons and is once again moving in the right direction. Rated G: General Audiences, suitable for ages 6 and older: violence, some scary imagery, tobacco use) --Charles Solomon Stills from Princess and the Frog (Click for larger image)

Solid entertainment from a new group of Disney animators. The story source is a Chinese fable about a young girl who disguises herself as a man to help her family and her country. When the Huns attack China, a call to arms goes out to every village, and Mulan's father, being the only man in the family, accepts the call. Mulan (voiced by Ming-Na Wen, sung by Lea Salonga) has just made a disastrous appearance at the Matchmaker and decides to challenge society's expectations (being a bride). She steals her father's conscription notice, cuts her hair, and impersonates a man to join the army. She goes to boot camp, learning to fit in with the other soldiers with some help from her sidekick, Mushu, a wise-cracking dragon (voiced by Eddie Murphy). She trains, and soon faces the Huns eye-to-eye to protect her Emperor. The film is gorgeous to look at, with a superior blend of classic and computer-generated animation. Directors Tony Bancroft and Barry Cook make the best of it: a battle in the snowy mountains is as thrilling as the best Hollywood action films. The menacing Huns are not cute but simple and bad. The wickedness is subtle, not disturbing. The film is not a full-fledged musical, as it has only five songs (the best, "Be a Man," is sung during boot camp). Eddie Murphy is an inspired choice for the comic-relief dragon, but his lines are not as clever as Robin Williams's in Aladdin. These are minor quibbles, though. The story is strong, and Mulan goes right to the top of Disney animated heroines; she has the right stuff. --Doug Thomas

Product Features: Patented adjustable locking mechanism holds cable tight at any position for perfect fit. 6' (1.8m) adjustable cable for application flexibility. 3/16" (5mm) braided steel cable for superior cut resistance. Cable end threads through places other cables cannot. Rust resistant lock and vinyl coated cable for superior weather and scratch resistance. Velcro strap holds excess cable for compact storage. Color: Silver & black. Cable/chain length: 6 feet. Cable/chain diameter: 3/16". Best used for: Bicycles ATVs & All Terrain Equipment Grills & Lawnmowers Tools & Ladders

32 inches of pure lopper goodness. This superior grade tool is lighter, stronger and more powerful than anything you've ever used. A unique gearing mechanism multiples the cutting force by nearly three times over single pivot loppers and the smooth action eliminates the jarring conclusion at the end of cuts. Razor-sharp, precision ground blades. Bypass blade design for cutting living growth. 2 inch cutting capacity.

Aladdin a street urchin accidentally meets princess jasmine who is in the city undercover. They love each other but she can only marry a prince. Studio: Buena Vista Home Video Release Date: 12/18/2007 Starring: Scott Weinger Linda Larkin Run time: 90 minutes Rating: G

Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). --Tom Keogh

The "greatest racehorse of all time" mantle fits easily around the neck of Secretariat, the 1973 Triple Crown winner. So why not a movie version of this champion's life? Secretariat begins in the late '60s, with some good behind-the-scenes material on how thoroughbreds come to be (there's flavorful atmosphere inside the horsey world, including an account of Secretariat's ownership being decided by a coin flip as part of an old-school agreement). A highly lacquered Diane Lane plays Penny Chenery, the inheritor of her father's stables, who segues from being an all-American mom to running a major horse-racing franchise; reliable character-actor support comes in the form of John Malkovich, as a gaudily outfitted trainer, and Margo Martindale, as Chenery's assistant. Screenwriter Mike Rich and director Randall Wallace must do some heavy lifting to make Lane's privileged millionaire into some sort of underdog--luckily, the hidebound traditions of the male-dominated racing scene provide some sources of outrage. The need to stack the deck even more leads the movie into its more contrived scenes, unfortunately, as though we needed dastardly villains in order to root for Penny and her horse. Meanwhile, attempts to reach for a little Seabiscuit-style social relevance don't come off, and a curious religious undertone might make you wonder whether we're meant to assume that God chose Secretariat over some less-deserving equine. The actual excitement of the races can't be denied, however, and Secretariat's awe-inspiring win at the Belmont Stakes remains a jaw-dropping, still-unequaled display of domination in that event. And maybe in sports. --Robert Horton

Features include: •MPAA Rating: PG•Format: DVD•Runtime: 123 minutes