Archie's Archery Depot

Coasters with deer scene. Coasters have felt tabs on backs. Set includes 6 coasters and 1 holder. 4 inches in diameter.

Microwave Steamer 2 Tier With this incredible 2 Tier Microwave Steamer, you'll be able to prepare healthy meals in minutes. Steams food without unhealthy oils and grease. Quickly cooks Veggies, Fish, Shellfish and more and with it's unique 2-Tier design, you'll be able to cook 1 or 2 dishes at a time saving you time and money Steaming your favorite foods in minutes has never been easier. Just pour water into the bottom of this 2-tier microwave steamer add 1 or 2 food items in to the separate dishes provided cover stack and steam! You can create healthy meals like vegetables shellfish etc. in just minutes. The steamer is dishwasher and freezer safe. Features: Steams foods without oils and grease Cooks 2 separate dishes at a time Quickly cooks vegetables fish & more Diswasher and freezer safe Cooks in minutes 9 1/2" diameter x 3 3/4" H

LANG CO. RECIPE BOX with hidden pop-up easel to display recipe cards.

Though known as the "Kansas City sessions," Milt Gabler taped these proceedings in New York City for his Commodore label. The musicians, however, represented the soul of the Kansas City influx. The first 10 tracks--five tunes with one alternate each--come from September 1938 and feature a group drawn from the Count Basie Orchestra's ranks. It's the great Basie rhythm section of bassist Walter Page, drummer Jo Jones, and rhythm guitarist Freddie Green (who also sings on "Them There Eyes"), with a frontline of Lester Young, trumpeter Buck Clayton, and Eddie Durham, who's heard far more prominently on electric guitar than trombone. A master of half-valve smears, Clayton sounds superb, whether elegantly muted or expressively open, but it's Young who will rivet a listener's attention, both on tenor sax or playing clarinet with a strikingly original sound and conception. Young's clarinet virtually defines the sonority of later "cool" alto saxophonists like Lee Konitz and Paul Desmond, and the blend with the transparent textures of the two guitars is particularly advanced. The second session is by a very different Kansas City Six from 1944, with Young and Jones the only returning members. It's a far more conventional setting, with trumpeter Bill Coleman and trombonist Dicky Wells competing in brashness and pianist Joe Bushkin in place of the guitars. The sometimes aggressive cast to the band only highlights Young's superbly relaxed phrasing. His opening solos on the three takes of "I Got Rhythm" are textbook example of relaxed swing, and their inspiration to Wells is apparent in his solos that follow. The CD concludes with four tracks by the Kansas City Five from March 1938, the earliest session here. It's the first Kansas City Six without Young present, still well worth hearing for the superb play of Clayton, Durham, and the rhythm section. --Stuart Broomer

No Description Available.Genre: Jazz MusicMedia Format: Compact DiskRating: Release Date: 28-JAN-1997

28-page booklet with stoplists, photos, and histories of the organs 40 Performers: Marion Anderson, Susan Armstrong, Robert Barney, George Bozeman, Leonard Ciampa, Ray Cornils, Gregory Crowell, David Dahl, Robin Dinda, J. Bryan Dyker, Jane Edge, Kristin Farmer, Brian Franck, Susan Friesen, Kimberly Ann Hess, Meg Irwin-Brandon, Brian Jones, Rachelen Lien, Stephen Long, Robert K. Love, Lorenz Maycher, Lenora McCroskey, Marian Metson, Earl Miller, Marvin Mills, Rosalind Mohnsen, Philip Montgomery, Frances Nobert, Barbara Owen, Charles Page, D. R. M. Paterson. 39 Organs: 1847 E. & G. G. Hook, Community Ch., Stockton Springs; 1848 George Stevens, Alfred Parish Church, Alfred; 1848 George Stevens, The First Church, Belfast; 1848 Erben, Turner Village Church, Turner; 1850 Wm. B. D. Simmons, 2nd Baptist, Bowdoinham; 1850 E. & G. G. Hook, Community Church, Buckfield; 1854 Rufus Johnson, N. Cong. Ch., Groveville, Buxton; 1854 E. & G. G. Hook, Westbrook U. Meth., Portland; 1857 George Stevens, 1st Christian, New Gloucester; 1860 E. & G. G. Hook, St. John's R.C. Church, Bangor; 1861 George Stevens, Cong. Church, Cumberland; 1863 E. & G. G. Hook, Elm St. Cong., Bucksport; 1866 E. & G. G. Hook, South Parish Cong., Augusta; 1867 George Stevens, Baptist Church, Blue Hill; 1867 George Stevens, Center Street Cong., Machias; 1873 George Stevens, 1st Cong., Calais; 1875 L. C. Tilton, Leeds Community Church, Leeds; 1876 E. & G. G. Hook & Hastings, 1Universal., Auburn; 1878 George H. Ryder, The United Church, Monmouth; 1880 S. S. Hamill, 1st Baptist, Hallowell; 1883 Johnson & Son, United Methodist, Saco.

For this movie about 1930s boxer Jim Braddock (Russell Crowe), director Ron Howard interrupted his longtime collaboration with composer James Horner and teamed up with Thomas Newman. It's a wise decision: Newman has a lighter touch and his somber palette emphasizes the fact that Cinderella Man is more thoughtful drama than mere brawling flick (even a track titled "Pugilism" eschews obvious punchiness in favor of ominous, rolling tribal-like percussion. Elsewhere, "Weehawken Ferry" illustrates Newman's ability to write swelling, majestic music that's not bombastic. Typical of the subdued approach is Paul Giamatti's version of "Londonderry Air," which he delicately whistles. The score is interspersed with a few lovely Depression-era tunes such as Chicago tenor saxist Bud Freeman's "Tillie¹s Downtown Now," Roane's Pennsylvanians' "We've Got to Put that Sun Back in the Sky," and especially Eddie Cantor's wonderfully biting "Cheer Up, Smile, Nertz" ("Our judges are queer/Our banks disappear/And all the while they tell us to smiiiiile"). --Elisabeth Vincentelli

SOUNDTRACK CINDERELLA MAN (EL LUCHADOR)

Few films have defined a generation as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chicness has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs. Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny, and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley Beyond The Graduate Amazon.com's Essential 100 Simon and Garfunkel: The Concert in Central Park More from Director Mike Nichols Stills from The Graduate

Few films have defined a generation as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chicness has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs. Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny, and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley

A young man graduates with honors, meets and has an affair with one of his parents' friends, and is urged to date her daughter, whom he falls in love with.Genre: Feature Film-ComedyRating: PGRelease Date: 5-APR-2005Media Type: DVD

STELLA:SEASON 1 - DVD Movie

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Fabric is Blue Denim Cotton. Thank you for stopping by. I appreciate that you are taking the time to look here. No more tossing and turning all night long! You will feel the difference that buckwheat hulls make. These are the best Handmade Buckwheat Pillows 100% Made in North America. Using only the Highest QUALITY, designed and hand made by an American in the Japanese style. This pillow is 100% hand crafted by Americans! I've hand picked the very best North American grown buckwheat hulls, they are locally grown and harvested, and they have been cleaned using a triple cleaning process to remove dust, buckwheat flour, and debris from amongst the hulls. 100% organic, grown totally without pesticides or herbicides and are considered hypo-allergenic. Nothing, absolutely-no additives. I use the highest quality 100% unbleached cotton fabric for the pillow case, comfortable texture, very durable yet very smooth to sleep on. Also, this pillow includes a zipper to allow you the option of removing hulls and adjusting the pillow to fit your exact needs.