Archie's Archery Depot

Taking up no more space on the counter than a coffee mug, this convenient mixing system replaces a food processor, blender, and coffee grinder. Keep it handy on the countertop for instant meals and snacks. The 17-piece set includes a high-torque power base with a stainless-steel cross blade and flat blade, a tall and a short bullet cup, four party mugs with colored lip rings, a shaker top and a steamer top, two stay-fresh re-sealable lids, plus a 100-page Magic Bullet "10 Second Recipe" book. Simple to operate, just load the ingredients into the short cup, the tall cup, or one of the four mugs. Twist on the cross or flat blade, place the bullet on the power base, and press down. The high-speed blender can do virtually any job in the kitchen in 10 seconds or less. To heat or chill, place the Magic Bullet cup or mug in the microwave, refrigerator, or freezer. All parts except for the power base clean up easily by hand or in the dishwasher. The blender measures approximately 4 by 4 by 10 inches and caries a one-year limited warranty.

Wine needs to breathe to allow it to open up, release its intended aromas, and of course, make it taste better. Vinturi's patent pending design speeds up this process by instantly aerating with ease and convenience. The perfect aeration in the time it takes to pour a glass of wine.

3 choices for easy - automatic cooking: Probe - Program and ManualThermometer probe for meatClip-on spoonClip-tight gasket lidEasy - automatic cookingFull-grip handlesPower interrupt protection

Most critics complain Back in Black, the album AC/DC recorded after the death of their original lead screamer Bon Scott, is ridiculously juvenile, obvious, snickering, bludgeoning, derivative, single-minded about sex and booze, a big cartoon. All true, of course, and--on rock 'n' ragers like "What Do You Do For Money Honey," "You Shook Me All Night Long," and the title track--all great. As Scott's replacement Brian Johnson reminds us, loud and crunchy, no-holds-barred "rock and roll ain't noise pollution...it makes good, good sense." Never trust anyone who refuses to drink domestic beer, laugh at the Three Stooges, or crank Back in Black. --David Cantwell

Most critics complain Back in Black, the album AC/DC recorded after the death of their original lead screamer Bon Scott, is ridiculously juvenile, obvious, snickering, bludgeoning, derivative, single-minded about sex and booze, a big cartoon. All true, of course, and--on rock 'n' ragers like "What Do You Do For Money Honey," "You Shook Me All Night Long," and the title track--all great. As Scott's replacement Brian Johnson reminds us, loud and crunchy, no-holds-barred "rock and roll ain't noise pollution...it makes good, good sense." Never trust anyone who refuses to drink domestic beer, laugh at the Three Stooges, or crank Back in Black. --David Cantwell

MADONNA MDNA (DELUXE 2 CD)

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There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys reawaken the kid in us. Filmmaker John Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas

Features include: •MPAA Rating: G•Format: Blu-Ray•Runtime: 80 minutes

Walt Disney's Classic Masterpiece movie. Comes in plastic protective case enjoyable entertainment for young and old.

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh Stills from Snow White and the Seven Dwarfs (Click for larger image)

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. --Tom Keogh

Make sure the water and ice from your refrigerator is as clean and fresh tasting as possible by replacing its water filter. This Whirlpool PuR water filter is used in Whirlpool, KitchenAid, Maytag, Amana, and JennAir side-by-side refrigerators with filter access in the base grille. It's NSF-certified to reduce cysts, particulates (class I), lead, mercury, and more. (The contaminants or other substances removed or reduced by this water filter are not necessarily in all users' water.) While it effectively removes contaminants from your water and ice, this filter also lowers the taste and odor of chlorine while retaining beneficial fluoride. For the highest quality water and ice, your refrigerator's water filter needs to be changed over a period of time as its effectiveness at cleaning the water is reduced. For optimal results, you should replace this refrigerator water filter every 6 months to ensure clean, safe drinking water and ice. Your refrigerator will even remind you when to change its filter, turning on an indicator light found near the water dispenser. Changing the filter is easy--just locate the old filter, twist and turn it until it becomes loose, then pull the old filter out and replace with the new filter. This model (4396841) can be used to replace the following models of water filter: 4396842 8212650 Replacing Your Water Filter For side-by-side refrigerators with filter access in the base grille, follow these instructions for replacing your filter: Push the eject button, then pull the filter cap. Do not twist cap. Remove the filter cap by turning it counter clockwise. Set aside cap. Discard old filter. Remove the packaging and O-ring covers from the new filter. Align arrows on the cap and new filter. Turn clockwise to snap in place. Push filter into the base grill until the eject button pops. Gently tug on cap to ensure it is snug. Flush the water system until a total of 3 gallons (12 L) has been dispensed.

You'll get great results with this Black & Decker heavy-duty Edge Hog landscape edger, one of the easiest-to-use pieces of equipment we've come across. You'll be thrilled with how quickly you can get to work, as assembly takes only a few minutes. This is an electric model, so you'll need an extension cord and an electric outlet handy, but you won't have to deal with gas or oil. And it's so quiet you can edge at any time of day--even early Saturday mornings--without worrying about waking up the neighbors. We found the Edge Hog has plenty of power in its 2-1/4-horsepower motor for both edging and trenching, and it's easy to switch from one to the other by simply raising or lowering the edge guide. The edger weighs only 12 pounds, which allows for easy transportation and great maneuverability around curved paths, but makes it more difficult to maintain a straight line when you're tackling a lawn that hasn't been edged in a while. If you're digging out quite a bit of dirt along with the edge you're creating, it takes some effort to keep the unit stable. Undoing a screw toward the front of the edger and raising or lowering its leading wheel easily adjusts the depth of the edge groove you're making along with your edge. The unit can also be adjusted to fit the height of the user more comfortably by changing the angle on the guide handle. The blade requires only a pull of the trigger to start instantly and, unlike many gas models, stops as soon as the trigger is released---an important safety feature.

Offering 150 in./lbs. of torque and 4,700 RPM of power, this 2-1/4 HP landscape edger from Black & Decker can help transform your yard and add real curb appeal to your home's exterior. Lightweight yet extremely efficient, the LE750 performs multiple tasks, including edging along hard surfaces like driveways and sidewalks; trenching around garden beds, trees, and borders; and helping to install both outdoor lighting and invisible dog fences. Its 11 Amp motor can handle even stubborn overgrown areas, and three-position blade depth adjustment ensures optimum control as you work. To guard against unintended unplugging while you're working, there's a built-in cord retention system. The LE750 conveniently starts with a simple pull of the trigger and for added peace of mind, it also instantly stops when that same trigger is released.

All films take a certain suspension of disbelief. Fight Club takes perhaps more than others, but if you're willing to let yourself get caught up in the anarchy, this film, based on the novel by Chuck Palahniuk, is a modern-day morality play warning of the decay of society. Edward Norton is the unnamed protagonist, a man going through life on cruise control, feeling nothing. To fill his hours, he begins attending support groups and 12-step meetings. True, he isn't actually afflicted with the problems, but he finds solace in the groups. This is destroyed, however, when he meets Marla (Helena Bonham Carter), also faking her way through groups. Spiraling back into insomnia, Norton finds his life is changed once again, by a chance encounter with Tyler Durden (Brad Pitt), whose forthright style and no-nonsense way of taking what he wants appeal to our narrator. Tyler and the protagonist find a new way to feel release: they fight. They fight each other, and then as others are attracted to their ways, they fight the men who come to join their newly formed Fight Club. Marla begins a destructive affair with Tyler, and things fly out of control, as Fight Club grows into a nationwide fascist group that escapes the protagonist's control. Fight Club, directed by David Fincher (Seven), is not for the faint of heart; the violence is no holds barred. But the film is captivating and beautifully shot, with some thought-provoking ideas. Pitt and Norton are an unbeatable duo, and the film has some surprisingly humorous moments. The film leaves you with a sense of profound discomfort and a desire to see it again, if for no other reason than to just to take it all in. --Jenny Brown

Director David Fincher's controversial drama finds burned-out insurance worker Edward Norton's chance encounter with off-the-wall soap salesman Brad Pitt leading the two to form Fight Club, an underground group where men bond and find catharsis through beating each other to a pulp. Norton isn't prepared for the consequences, however, when Pitt moves the violence outside the ring. Helena Bonham Carter, Meat Loaf Aday also star. 139 min. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, Dolby Digital Surround, French DTS 5.1, Spanish Dolby Digital 5.1; Subtitles: English, French, Spanish; audio commentary by Fincher, Norton, Pitt, Carter, others; featurettes; deleted scenes; TV spots; theatrical trailers; music video; more.

The third installment of Stephenie Meyer's blockbuster vampire series is its most action packed, both in terms of fight scenes and human-vampire-werewolf lovin'. In Eclipse, the vampiric Cullen clan and the werewolves--their sworn enemies--unite against an army of "newborn" vampires, whose remnants of human blood in their veins makes them stronger and more uncontrollable, causing a string of murders in the Seattle area. They've been created by the vengeful vampire Victoria (Bryce Dallas Howard, taking over for Rachelle Lefevre), still keen on destroying human Bella (Kristen Stewart). Thus, Bella is under careful watch, and her undead love Edward (Robert Pattinson) and werewolf best friend Jacob (Taylor Lautner) spend a lot of time arguing over who is the better man for her. (In one hilarious scene where Bella's freezing and only Jacob has the lupine body heat to warm her, he looks over at Edward and cracks, "I am hotter than you." Go Team Jacob!) But there's more at the heart of the triangle than love: Bella, against Edward's warnings, doesn't want to grow older than him and would willingly give up contact with her parents, the chance to grow old with children, and more to be turned into a bloodthirsty vampire. (Jacob's trump card is that Bella wouldn't have to give up her mortality to be with him.) But the unfolding of this love triangle is even clumsier than it was on the page; you're never really convinced Bella has romantic feelings for Jacob, even during their climactic kiss on top of the mountain. This is likely to confuse non-readers of the book series, as Stewart emotes nothing that intones there's a real competition here (clearly, she's Team Edward). Pattinson, on the other hand, appears to have overcome his awkwardness to become a much cooler Edward; Howard, while missing Lefevre's mischief as Victoria, brings her own touch of soft-spoken manipulation; and Billy Burke, as Bella's father Charlie, continues to steal every scene he's in. The other Cullens also get far more play here, notably Rosalie (Nikki Reed), whose revealing back story is touching and tragic, and Jasper (Jackson Rathbone), who trains everyone in combat and who, halfway through the movie, adopts a sudden Southern accent that he didn't have before, once it's revealed he was a Confederate soldier (on a side note, it's mentioned in the books that Jasper can calm the emotions of others, but that trait isn't used in the movie). The climactic fight scene is well staged by director David Slade (30 Days of Night, Hard Candy); the violence, while not bloody, is still more abundant and disturbing than in the previous films; and the sex, while not actually happening between anyone (yet), is certainly on everyone's mind (but Edward wants to get married first). It seems the characters, and the series, are growing up. --Ellen A. Kim

Even as Bella (Kristen Stewart) prepares to graduate high school, her relationships with the vampiric Edward (Robert Pattinson) and lupine Jacob (Taylor Lautner) grow more complicated. The scourge of a villainous female bloodsucker (Bryce Dallas Howard) growing her undead brood and targeting Bella for revenge leads her romantic rivals into an uneasy partnership to protect her. Third chapter drawn from Stephenie Meyer's "Twilight" series co-stars Billy Burke, Anna Kendrick. AKA: "Eclipse." 124 min. Widescreen; Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), Spanish; audio commentary by Meyer, Stewart, Pattinson, others; deleted scenes; "making of" documentary; featurettes; photo gallery; music videos. Two-disc set.

John Carpenter's harrowing remake of the '50s classic centers on a snowbound research team in Antarctica that encounters a vicious, shape-shifting alien organism. Cut off from the rest of the world, paranoia and mistrust begin to set in as the men realize any one of them could be the creature. Features state-of-the-art (for their time) makeup effects and a haunting score from Ennio Morricone. Kurt Russell, Keith David, Donald Moffat, Richard Dysart, and Wilford Brimley star. 109 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: French, Spanish; audio commentary by Carpenter, Russell; photo gallery; behind-the-scenes footage; storyboards; theatrical trailer; outtakes; featurette.

Howard Hawks's original 1951 production of The Thing from Another World can be glimpsed playing on a TV that fateful October evening in John Carpenter's blockbuster hit, Halloween (1978). A few years later, Carpenter reteamed with his Escape from New York star Kurt Russell to do a remake. But while the first movie version of The Thing was in atmospheric black and white, Carpenter's 1982 version is in widescreen, full color, and features some of the most revoltingly explicit, surreally imaginative special effects (courtesy of FX-meister Rob Bottin) that have ever been seen on the screen. Researchers in the remote Antarctic dig up the remains of a spacecraft that has long been frozen in the ice. But the alien life unthaws and infects the living (not only humans but sled dogs too), living and gestating inside them. (This horrific concept was also explored in the two versions of Invasion of the Body Snatchers and the Alien movies.) This Thing is chilling in every sense of the word, with plenty of terrifying, adrenaline-pumping moments that build it to a powerful and shockingly nihilistic conclusion. It's a harsh and uncompromising movie (hewing more closely to the original 1930s story "Who Goes There?")--so much so that it probably never would have been given a green-light by any studio in the more cautious and doggedly upbeat 1990s. --Jim Emerson