Archie's Archery Depot

Flat rubber o-ring seal. A common replacement part, this seal sits between the top of the blade and the botom of the jar. Only one seal is needed per blender. Fits ALL Oster blenders, Osterizers and Oster Kitchen Centers. Also fits some Sunbeam models which use a metal drive pin. Package of 3 seals.

Musical Classics 50 Movie MegaPack - Fabulous Dorseys Calendar Girl Sunny Swing Hostess Dixiana Palooka Glorifying the American Girl Check & Double Check Paradise in Harlem Duke is Tops Reet Petite & Gone Killer Diller Delightfully Dangerous Private Buckaroo Stage Door Canteen Career Girl Second Chorus Trocadero People Are Funny Doll Face Great Baggo Dancing Pirate Road Show Hi Diddle Diddle Rock-Rock-Rock King Kelly of the USA Rock N' Roll Revue Rhythm & Blues Revue 'Til the Clouds Roll By All-American Co-Ed Hi Di Ho Breakfast in Hollywood Soundies Festival Soundies Clavalcade Reaching For the Moon Mr. Imperium Royal Wedding Pied Piper of Hamelin Wild Guitar Murder With Music Jack & The Beanstalk Road to Hollywood Big Show Black Tights Fiesta Let's Go Collegiate Up in the Air Minstrel Man Rhythm in the Clouds Sitting on the MoonSystem Requirements: Running Time 3965 MinFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 826831070162 Manufacturer No: 07016-7

When Thomas discovers an abandoned engine that may be headed for the scrap yard, he enlists the help of his friends to save the engine from being destroyed.Product Measures: .5" x 7.5" x 5.25"Recommended Ages: 18 months & up

See Thomas & Friends™ like never before in this new action-packed movie. Follow Thomas as he discovers Hiro, an abandoned engine from a faraway land. Fearing that Hiro will be scrapped, Thomas enlists the help of many friends, but mishaps, mistakes and one boastful engine could foil their rescue plans. Watch and find out if they can work together to help their new friend in the most heroic movie of the year!

Christmas in Connecticut Christmas in Connecticut is a holiday film that plays 365 days of the year. Barbara Stanwyck gives a brilliant, sardonic performance as Elizabeth Lane, a columnist for Smart Housekeeping magazine, whose enticing descriptions of the exquisite meals she prepares for her husband and baby on their bucolic Connecticut farm earns her fame as "America's Best Cook." A writer, she is; a cook, she is not. As she types the words, "From my living room window, as I write, the good cedar logs cracking on the fire..." the view is of clothes flapping on the line outside her bachelorette Manhattan apartment. An able supporting cast keeps her lie on life support: her editor, her stuffy and detestable architect suitor, and the wonderful "Uncle" Felix (S.Z. Sakall), an English-garbling Hungarian chef who provides the recipes that fill her column. Cut to Jefferson Jones, a sailor adrift at sea for weeks after his destroyer is torpedoed. Memories of the food described in Lane's columns are central to his survival. After his rescue, as he's recuperating in a naval hospital, a marriage-minded nurse thinks she might nudge Jones to the altar if he could only experience a real domestic Christmas. And it just so happens that she was nurse to the grandchild of Alexander Yardley, the wealthy and powerful publisher of --you guessed it--Smart Housekeeping magazine. And so, she pens the letter that could unravel Lane's carefully constructed fraud. She writes to Yardley asking that Jones be included in America's ultimate Christmas--the one to be held at the Lane family farm in Connecticut. The pompous Yardley (ably portrayed by Sidney Greenstreet) believes the Lane myth and instantly sniffs a story that will send his magazine's circulation skyrocketing. And staring down a lonely holiday, he decides to join the Lanes for Christmas on the farm, too. Now, all Lane has to do is come up with a farm. And a husband. And let's not forget the baby. Christmas in Connecticut is classic screwball entertainment of the best kind, with its on-target skewering of social convention and house-of- cards-about-to-tumble tension: a perfect farcical vision of domestic blitz. --Susan Benson A Christmas Carol 1938 This is the desert-island choice of the many versions of A Christmas Carol, with a magnificent, full-bodied portrayal of Ebenezer Scrooge by Alastair Sim that leaves everyone else in the dust. Lean and direct, this film's version of the story wastes no time trying to impress viewers with the magical nature of the spirits' visitations. Director Brian Desmond Hurst keeps the focus on Scrooge's life story, beautifully simplifying and underscoring the theme of lost women with a haunting musical refrain from the folk song "Barbara Allen." Sim's commitment to the role is at times astonishing; his Scrooge's Christmas-morning ecstasy is a marvel of giddy technique. Watch for Patrick Macnee (Steed in The Avengers) as the young Jacob Marley--the actor made his screen debut in this 1951 production. --Tom Keogh The Shop Around the Corner One of the most charming and romantic films around, this 1940 comic romance finds James Stewart (Vertigo, It's A Wonderful Life) working in a small shop in Budapest and longing for a girl to call his own. His coworker, Margaret Sullavan, feels the same, and soon they are both corresponding and falling in love with their respective pen pals. What they don't realize is that they are writing to and falling in love with each other, but the problem is that they can't stand each other in person. The beguiling nature of the mistaken identity formula that influenced countless films is done to perfection here, and the wry combativeness and delightful banter between the two leads makes this a very special film. --Robert Lane It Happened on 5th Avenue Making his winter home in a vacant New York City mansion,owned by vacationing industrialist Michael O'Connor (Charlie Ruggles), a philosophizing hobo decides to take in a homeless ex-G.I. O'Connor's unhappy daughter, Trudy (Gale Storm), running away from finishing school, returns home unexpectedly but doesn't tell anyone who she is or who her dad is when he comes looking for her disguised as a butler. Meanwhile, O'Connor unwittingly competes with the ex-G.I. in a land deal. The film, nominated best original story, contains a worthwhile message of self worth.

Two-disc set includes "A Christmas Carol" (1938), "The Shop Around the Corner," "Christmas in Connecticut" (1945), and "It Happened on 5th Avenue."

Episode I, The Phantom Menace "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson Episode II, Attack of the Clones If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon Episode III, Revenge of the Sith Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid). It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids. But then it all changes. After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vader and face an ultimate showdown with his mentor, but that doesn't matter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to. Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once again glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi Star Wars: The Original Trilogy (Episodes IV - VI) The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas's original 1977 film is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids. In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war against the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic "revelation" ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke's maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks. Years later, George Lucas transformed his films into "special editions" by adding new scenes and special effects, which were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to make the special editions the only versions available. --David Horiuchi DVD & Blu-ray Versions of Star Wars Star Wars Trilogy (Widescreen Edition with Bonus Disc) Star Wars Trilogy (Widescreen Edition Without Bonus Disc) Star Wars Trilogy Star Wars Prequel Trilogy Star Wars: The Prequel Trilogy (Episodes I - III) [Blu-ray] Star Wars: The Original Trilogy (Episodes IV - VI) [Blu-ray] Star Wars: The Complete Saga (Episodes I-VI) [Blu-ray] Release Date September 21, 2004 December 6, 2005 November 4, 2008 November 4, 2008 September 16, 2011 September 16, 2011 September 16, 2011 Format/Disc # DVD (4 Discs) DVD (3 Discs) DVD (6 Discs) DVD (6 Discs) Blu-ray (3 Discs) Blu-ray (3 Discs) Blu-ray (9 Discs) + 16 page booklet Blu-ray 3D No No No No No No No Blu-ray No No No No Yes Yes Yes DVD Yes Yes Yes Yes No No No Digital Copy No No No No No No No Original Theatrical Version No No Yes Yes No No No Bonus Features Star Wars, Episode IV: Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher Star Wars, Episode V: Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher Bonus Disc: All-new bonus features, including the most comprehensive feature-length documentary ever produced on the Star Wars saga, and never-before-seen footage from the making of all three films "Empire of Dreams: The Story of the Star Wars Trilogy" Featurettes: The Legendary Creatures of Star Wars, The Birth of the Lightsaber, The Legacy of Star Wars Teasers, Trailers, TV spots, Still GalleriesPlayable Xbox demo of the new Lucasarts game Star Wars BattlefrontThe making of the Episode III videogameExclusive preview of Star Wars: Episode III Star Wars Episode IV: Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher Star Wars Episode V: Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher None Star Wars, Episode I: Commentary by George Lucas and companyStar Wars, Episode II: From Puppets to PixelsState of the Art: Previsualization of Episode II8 deleted scenes with introsMusic VideoVisual Specs Breakdown12 Web Documentaries4 Trailers12 TV SpotsEaster EggStill Galleries DVD-ROM links Star Wars, Episode I: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, John Knoll, Dennis Muren and Scott Squires, Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode II: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, Pablo Helman, John Knoll and Ben Snow, Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode III: Audio Commentary with George Lucas, Rick McCallum, Rob Coleman, John Knoll and Roger Guyett Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode IV: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode V: Audio Commentary with George Lucas, Irvin Kershner, Carrie Fisher, Ben Burtt and Dennis Muren Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode VI: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren, > Audio Commentary from Archival Interviews with Cast and Crew Same as Star Wars: The Prequel Trilogy (Episodes I-III) [Blu-ray] and Star Wars: The Original Trilogy (Episodes IV-VI) [Blu-ray] plus: New! Star Wars Archives, Episodes IV-VI: Includes deleted, extended and alternate scenes; prop, maquette and costume turnarounds; matte paintings and concept art; supplementary interviews with cast and crew; and more Star Wars Documentaries: NEW! Star Warriors (2007, Color, Apx. 84 Minutes) NEW! A Conversation with the Masters: The Empire Strikes Back 30 Years Later (2010, Color, Apx. 25 Minutes) NEW! Star Wars Spoofs (2011, Color, Apx. 91 Minutes) The Making of Star Wars (1977, Color, Apx. 49 Minutes) The Empire Strikes Back: SPFX (1980, Color, Apx. 48 Minutes) Classic Creatures: Return of the Jedi (1983, Color, Apx. 48 Minutes) Anatomy of a Dewback (1997, Color, Apx. 26 Minutes) Star Wars Tech (2007, Color, Apx. 46 Minutes)

Relive the unforgettable moments and experience the spectacular adventure of STAR WARS The Complete Saga in a way only Blu-ray can deliver. This incredible collection unites all six Episodes together for the frst time in stunning high definition with the purest digital sound in the galaxy. With over 40 hours of thrilling special features, including all-new content created exclusively for this release, you can journey deeper into the Star Wars universe and discover more than ever before. Feel the Force of STAR WARS The Complete Saga on Blu-ray!Product Measures: 1.5 x 5.5 x 7.5

Set against the backdrop of the looming Cuban Missile Crisis, this thrilling prequel shows mutants Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) as friends before they became enemies as Professor X and Magneto. Recruited by the CIA, Xavier and Lensherr lead the first team of X-Men on a mission to prevent evil mutants Sebastian Shaw (Kevin Bacon) and Emma Frost (January Jones) from starting a global nuclear war. With Rose Byrne, Jennifer Lawrence. 132 min. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, DVS Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; featurettes; deleted scenes; extended scenes; documentary; isolated music score; bonus digital copy. Two-disc set.

When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. FennessyRelated Products More X-Men Books Toys More From the Stars of X-Men: First Class James McAvoy Michael Fassbender Matthew Vaughn

The wait is over. For the first time ever, experience the majesty of Disney’s epic animated masterpiece as it roars off the screen and into your living room on Blu-ray and Blu-ray 3D. With a spectacular digital picture, spine-tingling high definition sound and immersive bonus features—you will feel the love for this critically acclaimed and universally beloved classic like never before.Embark on an extraordinary coming-of-age adventure as Simba, a lion cub who cannot wait to be king, searches for his destiny in the great “Circle of Life.” You will be thrilled by the breathtaking animation, unforgettable Academy Award®–winning music (1994: Best Original Score; Best Song, “Can You Feel The Love Tonight”) and timeless story. The king of all animated films reigns on Disney Blu-ray 3D—magic in a new dimension.Features include: •MPAA Rating: G•Format: Blu-Ray

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. --Tom Keogh Related Products Amazon's Disney Store More Lion King Lion King Toys Versions of The Lion King on Blu-ray and DVD The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging) The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in DVD Packaging) The Lion King (Four-Disc Diamond Edition Blu-ray 3D / Blu-ray / DVD / Digital Copy) The Lion King Trilogy (Eight-Disc Combo: Blu-ray 3D / Blu-ray / DVD / Digital Copy) Release Date October 4, 2011 October 4, 2011 October 4, 2011 October 4, 2011 Format/Disc # Blu-ray, DVD DVD, Blu-ray Blu-ray 3D, Blu-ray, DVD, Digital Copy The Lion King includes: Blu-ray 3D, Blu-ray, DVD, Digital Copy The Lion King 1 ½ includes: DVD, Blu-ray The Lion King 2 includes: DVD, Blu-ray Blu-ray 3D No No Yes Yes (The Lion King Only) Blu-ray Yes Yes Yes Yes DVD Yes Yes Yes Yes Digital Copy No No Yes Yes (The Lion King Only) Bonus Features 4 Never-Before-Seen Deleted Scenes;Deleted Song;The Morning Report: Extended scene;Never-Before-Seen Bloopers;Disney Second Screen*;Pride of The Lion King; The Lion King: A Memoir- Don Hahn; Disney Sing Along Mode; Interactive Gallery; Audio Commentary; Disney’s Virtual Vault: Classic DVD Features Powered by BD-Live* *Not Available in all territories. Features subject to change. Same as The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging Same as The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging) The Lion King: Same as The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging) The Lion King 1 ½: Timon and Pumbaa’s Vacation Safari; Deleted Scenes; Timon: Behind the Legend; Before the Beginning: The Making of The Lion King 1 ½; Music Video The Lion King 2: Timon and Pumbaa’s Insectapedia; “One by One”- Animated Short; Proud of Simba’s Pride; Timon and Pumbaa: Find Out Why; Music Video

Black & Decker String Trimmer Auto Feed System Replacement SpoolThe Black & Decker string trimmer Auto Feed System replacement spool provides a 30-foot replacement line for use in your auto feed string trimmer. This factory wound spool offers maximum reliability and eliminates the hassle of having to wind the spool yourself. The exclusive Black & Decker Automatic Feed Spool (AFS) system automatically advances the cutting string without bumping, using centrifugal force to feed the trimmer line as it is needed. Using the correct diameter line is critical to the performance of your string trimmer -- this spool features a .065-inch diameter line. This replacement spool is designed for use with the following Black & Decker string trimmers: #GH400, #GH500, #GH600, #ST6600, #ST7000, #CST1000, #CST2000, #NST2018. It is backed by a 2-year full warranty.

The Black & Decker string trimmer Auto Feed System replacement spools provide 30-foot replacement lines for use in your auto feed string trimmer. These factory wound spools offer maximum reliability and eliminate the hassle of having to wind the spool yourself. The exclusive Black & Decker Automatic Feed Spool (AFS) system automatically advances the cutting string without bumping, using centrifugal force to feed the trimmer line as it is needed. Using the correct diameter line is critical to the performance of your string trimmer -- these spools feature a .065-inch diameter line and are designed for use with the following Black & Decker string trimmers: #GH400, #GH500, #ST6600, #ST7000, #ST7700, #CST1000, #CST2000, #NST2018. These spools are sold in a 3-pack to save you time and money and are backed by a 2-year full warranty.

The Black & Decker AF-100-3ZP String Trimmer Replacement Spool 3-pack erases the tedious work of hand-winding spools. Designed for use with Black & Decker auto feed string trimmers, the 30-foot factory-wound replacement spools feature a .065-inch diameter line that utilizes centrifugal force to automatically feed the cutting string while eliminating bumps and hitches. The AFS replacement spools are compatible with the following Black & Decker string trimmers: #GH400, #GH500, #GH600, #ST6600, #ST7000, #CST1000, #CST2000, #NST2018.

Make sure the water and ice from your refrigerator is as clean and fresh tasting as possible by replacing its water filter. This Whirlpool PuR water filter is used in Whirlpool, KitchenAid, Maytag, Amana, and JennAir side-by-side refrigerators with filter access in the base grille. It's NSF-certified to reduce cysts, particulates (class I), lead, mercury, and more. (The contaminants or other substances removed or reduced by this water filter are not necessarily in all users' water.) While it effectively removes contaminants from your water and ice, this filter also lowers the taste and odor of chlorine while retaining beneficial fluoride. For the highest quality water and ice, your refrigerator's water filter needs to be changed over a period of time as its effectiveness at cleaning the water is reduced. For optimal results, you should replace this refrigerator water filter every 6 months to ensure clean, safe drinking water and ice. Your refrigerator will even remind you when to change its filter, turning on an indicator light found near the water dispenser. Changing the filter is easy--just locate the old filter, twist and turn it until it becomes loose, then pull the old filter out and replace with the new filter. This model (4396841) can be used to replace the following models of water filter: 4396842 8212650 Replacing Your Water Filter For side-by-side refrigerators with filter access in the base grille, follow these instructions for replacing your filter: Push the eject button, then pull the filter cap. Do not twist cap. Remove the filter cap by turning it counter clockwise. Set aside cap. Discard old filter. Remove the packaging and O-ring covers from the new filter. Align arrows on the cap and new filter. Turn clockwise to snap in place. Push filter into the base grill until the eject button pops. Gently tug on cap to ensure it is snug. Flush the water system until a total of 3 gallons (12 L) has been dispensed.

Make sure the water and ice from your refrigerator is as clean and fresh tasting as possible by replacing its water filter. This Whirlpool PuR water filter is used in Whirlpool, KitchenAid, Maytag, Amana, and JennAir side-by-side refrigerators with filter access in the base grille. It's NSF-certified to reduce cysts, particulates (class I), asbestos, lead, mercury, and more. (The contaminants or other substances removed or reduced by this water filter are not necessarily in all users' water.) While it effectively removes contaminants from your water and ice, this filter also lowers the taste and odor of chlorine while retaining beneficial fluoride. For the highest quality water and ice, your refrigerator's water filter needs to be changed over a period of time as its effectiveness at cleaning the water is reduced. For optimal results, you should replace this refrigerator water filter every 6 months to ensure clean, safe drinking water and ice. Your refrigerator will even remind you when to change its filter, turning on an indicator light found near the water dispenser. Changing the filter is easy--just locate the old filter, twist and turn it until it becomes loose, then pull the old filter out and replace with the new filter. This model (4396710) can be used to replace the following water filter model: 4396711 Replacing Your Water Filter For side-by-side refrigerators with filter access in the base grille, follow these instructions for replacing your filter: Push the eject button, then pull the filter cap. Do not twist cap. Remove the filter cap by turning it counter clockwise. Set aside cap. Discard old filter. Remove the packaging and O-ring covers from the new filter. Align arrows on the cap and new filter. Turn clockwise to snap in place. Push filter into the base grill until the eject button pops. Gently tug on cap to ensure it is snug. Flush the water system until a total of 3 gallons (12 L) has been dispensed.

Mary Norton's novel "The Borrowers" gets an anime updating in this fun family tale co-written by Hayao Miyazaki. Arrietty is a normal teenage girl--who just happens to be four inches tall. As a Borrower, a race of beings who secretly live in peoples' houses, she and her family must remain unseen by human eyes. But they find their world turned upside down when Arrietty forms a friendship with a young human boy. Features the voices of Bridgit Mendler, David Henrie, Will Arnett, Amy Poehler. 95 min. Widescreen; Soundtracks: Japanese DTS HD 5.1 Master Audio, English DTS HD 5.1 Master Audio, French Dolby Digital 5.1; Subtitles: English, French; featurette; music videos; storyboards; theatrical trailers; TV spots. In Japanese with English subtitles/Dubbed in English. Also includes a DVD version of the film. Two-disc set.

The Secret World of Arrietty is a remake of the magical fairy tale The Borrowers, as seen through the keen, imaginative eye of Japanese writer Hayao Miyazaki. The American version of this delicately, richly animated film is that rarest of children's movies--one that is a deeply engaging experience for adults as well. The visuals and graphics are gasp-inducing, yet never over the top or too showy. And the actors dubbing Arrietty in English, including standouts Amy Poehler, Will Arnett, and Carol Burnett, are expressive and emotive. The Secret World of Arrietty tells the tale of a small family of "borrowers," tiny people who live underneath the homes of the "beans" (human beings). The borrowers must stealthily gather small bits of items they need--a sugar cube, a sheet of tissue, biscuits--from the upstairs without being discovered by the beans. Arrietty is a plucky teenager (voice by Bridgit Mendler) whose parents (Poehler and Arnett) think she's ready for her first "borrowing" excursion. But meanwhile, a young "bean" named Shawn has moved into the house above them, to rest and prepare for a heart operation, and to be cared for by the flighty Hara (Burnett). Shawn thinks he might have seen… something… moving in the meadow where he rests and reads. It's not giving away too much to say that Arrietty and Shawn brush against each other's lives--and neither's is the same afterward. For any fans of Miyazaki's other films, and anyone of any age seeking immersive family-friendly entertainment that's life-affirming, The Secret World of Arrietty is a winning experience. --A.T. Hurley

Seven-disc set includes "Rocky," "Rocky II," "Rocky III," "Rocky IV," "Rocky V," "Rocky Balboa," and a bonus disc full of extras.

Review for Rocky: The only remaining evidence that Sylvester Stallone might have had a respectable career, this 1976 Oscar winner (for Best Picture, Director, and Editing) is still the quintessential ode to an underdog and one of the best boxing movies ever made. After writing the script about a two-bit boxer who gets a "million-to-one shot" against the world heavyweight champion, Stallone insisted that he star in the title role, and his equally unknown status helped to catapult him (and this rousing film) to overnight success. The story is familiar, but it has been handled with such vitality and emotional honesty that you can't help but leap and cheer for Rocky Balboa, the chump turned champ (despite his valiant defeat in the ring) who stuns the boxing world with the support of his timid girlfriend, Adrian (Talia Shire), and grizzled trainer, Mickey (Burgess Meredith). Oscar nominations went to all the lead actors (including Burt Young as Adrian's hot-tempered brother), but four sequels could never top the universal appeal of this low-budget crowd pleaser. --Jeff Shannon Review for Rocky II: Beginning precisely where Rocky left off, the surprisingly effective 1979 sequel takes the saga of Rocky Balboa to its logical next step, as the palooka turned public idol and media darling returns to his "normal" life in Philadelphia with his newlywed bride Adrian (Talia Shire) and some degree of material comfort. He needs to find a job, but boxing champ Apollo Creed (Carl Weathers) is challenging Rocky to a lucrative rematch, and despite his doctor's warning against future boxing, Rocky can't resist. Defying the odds that most sequels can't live up to their originals, Rocky II doesn't pack all the punch that Rocky did, but it takes us further into the lives of its now-familiar and beloved characters, and Stallone (as director and star) gives us another rousing finale in the ring. Do you really need to know who wins? --Jeff Shannon Review for Rocky III: Rocky III: The third installment in the Rocky saga is the last one to matter, and in this case only marginally. The now rich and famous Rocky (Sylvester Stallone) triumphantly pummels a succession of boxing challengers until he encounters Clubber Lang (Mr. T), a human wall of brick who wants a piece of Rocky's action. The Rock's loyal trainer Mickey (Burgess Meredith) has taken ill and dies, so Rocky recruits retired opponent Apollo Creed (Carl Weathers) to whip him into fighting shape after his embarrassing defeat to Clubber. Time for another rematch, mixed in with some family matters involving Rocky's brother-in-law Paulie (Burt Young), who's feeling neglected amid all the hoopla. Not bad as sequels go, boosted by Mr. T.'s taunting presence and yet another rousing finale. For those with a bad case of '80s nostalgia, the hit theme song "Eye of the Tiger" is sure to bring back memories. --Jeff Shannon Review for Rocky IV: It was time for Sylvester Stallone to say "enough, already" to the boxing hero he plays in the popular Rocky film series, but instead Stallone kept the saga going by pushing Rocky into Rambo territory. The 1985 Rocky IV finds the Italian stallion pitted against a seemingly unbeatable Russian monster named Drago (Dolph Lundgren) who lets his wife (Stallone's then-wife, Brigitte Nielsen) do all the talking. With a mighty punch, Drago has sent Rocky's former opponent and trainer Apollo Creed to an early grave, and the boxer responds with the ultimate challenge. Even the Russians are rooting for Rocky, so it's not hard to guess how the film ends. Despite Stallone's claims to the contrary, this installment was followed by Rocky V in 1990. --Jeff Shannon Review for Rocky Balboa: The sixth installment of the Rocky series picks up the story of the Italian Stallion 16 years after the morose Rocky V. And sure, at his advanced age, Sylvester Stallone now looks like one of those sides of beef his character used to pound on. No matter. Somehow you buy the premise after all these years, even if it takes forever for Rocky Balboa to stop wallowing in self-pity (Adrian is dead, his old haunts are demolished) and get down to the business of drinking raw eggs and running up staircases. The business at hand is an unlikely exhibition fight with champion Mason Dixon (Antonio Tarver), which the near-sexagenarian Mr. Balboa has no business accepting. Of course, just as sure as the horns of Bill Conti's theme music are even now trumpeting through your head, the ol' Rock might have a punch or two left in him. Stallone wrote and directed, and there isn't much to say except that the movie steps in its pre-determined paces with a canny sense of what has come before (it's practically an homage to all the previous Rocky pictures, complete with fleeting flashbacks). Burt Young is around again, and Geraldine Hughes makes an appealing, rather chaste female companion for Rocky. Stallone's Rocky has gotten suspiciously articulate over the years, but he still knows how to slouch. If Stallone never forgets that, he can probably keep the franchise rolling. --Robert Horton

The epic adventure THOR spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Product Measures: 0.5 x 5.5 x 7.5

Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright