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Check out Amazon for Package Black big bargains! The Elite Brewing System is Keurig's gourmet home brewing made affordable. The Elite Brewing System, the most affordably priced Keurig kitchen brewing system, offers K-Cup® coffee, tea and hot cocoa brewing as the elite choice to any drip coffee maker. The Elite offers two cup sizes for brewing options with the programmable feature of Auto Off. The 48-ounce removable water reservoir holds up to 6 cups before refilling and for the removable drip tray allows for easy cleaning and the use of travel mugs.At initial set up, once the machine is filled with water, it will take approximately 4-minutes for the water will be heated. During the heating period the red light next to 'HEATING' on the LED Control Center will become illuminated. Once the water is heated, the red light will turn off and the Small Mug Button will flash. Press the Small Mug Button to start a cleansing brew. Pour the hot water into the sink. The Brewer may take 15 seconds to reheat water between brews during which time the red light next to 'HEATING' on the LED Control Center may be illuminated. When the water has heated, the red light will turn off. The one-time set-up process is now complete and you are ready to brew! 6 pieces brand new 8 oz stainless steel flasks. High quality flasks! Musical Classics 50 Movie MegaPack - Fabulous Dorseys Calendar Girl Sunny Swing Hostess Dixiana Palooka Glorifying the American Girl Check & Double Check Paradise in Harlem Duke is Tops Reet Petite & Gone Killer Diller Delightfully Dangerous Private Buckaroo Stage Door Canteen Career Girl Second Chorus Trocadero People Are Funny Doll Face Great Baggo Dancing Pirate Road Show Hi Diddle Diddle Rock-Rock-Rock King Kelly of the USA Rock N' Roll Revue Rhythm & Blues Revue 'Til the Clouds Roll By All-American Co-Ed Hi Di Ho Breakfast in Hollywood Soundies Festival Soundies Clavalcade Reaching For the Moon Mr. Imperium Royal Wedding Pied Piper of Hamelin Wild Guitar Murder With Music Jack & The Beanstalk Road to Hollywood Big Show Black Tights Fiesta Let's Go Collegiate Up in the Air Minstrel Man Rhythm in the Clouds Sitting on the MoonSystem Requirements: Running Time 3965 MinFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 826831070162 Manufacturer No: 07016-7 Vitalogy reaffirms the Seattle quintet's status as the principled, proudly confused voice of a generation. On their third album, they've found their footing as a raw, forward-looking '90s rock act that fearlessly tackles the Biggest Questions. Lead track "Spin the Black Circle" celebrates the healing power of Eddie Vedder's LP collection, but it is overshadowed by such masterstrokes as "Immortality" (which can be read, right or wrong, as a reaction to Kurt Cobain's suicide), the Lennonesque "Tremor Christ" and a thrilling anthem for the pro-choice movement, "Whipping." --Jeff Bateman No Description AvailableNo Track Information AvailableMedia Type: CDArtist: PEARL JAMTitle: VITALOGYStreet Release Date: 12/06/1994 Try to forget the fact that Bing Crosby probably never had to record another song in his life after he immortalized "White Christmas." If you can do that, you'll find plenty more to like in this crooning Christmas collection. There's the Romantic Bing, charming the tinsel right off the tree with "The Christmas Song," and that cure for cabin fever, "Let It Snow! Let It Snow! Let It Snow!" There's the Reverent Bing, solemnly singing "Adeste Fideles." And of course, there's Bing the Showman, belting out "Good King Wenceslas" with a bit of that ole vaudeville shine. But no matter what you're told, "White Christmas" will be the number one reason for sticking this one in your stocking. And who can blame you? It's as timeless now as it was way back when. --Steve Gdula No Description Available.Genre: Christmas MusicMedia Format: Compact DiskRating: Release Date: 7-OCT-1997 Get the Best in High Definition for your HDTV with Blu-ray Movies!Now Bambi, Walt Disney's beloved coming-of-age story involving Bambi, the wide-eyed fawn, his playful pal Thumper, the loveable skunk Flower and wise Friend Owl, will thrill a new generation of fans with its breathtakingly beautiful animation, soaring music and memorable characters. Plus, this special Diamond Edition includes an all-new immersive game and special features that reveal the extraordinary creative process behind the making of this timeless classic and take you deeper into Bambi's world than ever before! Rated G.•Packaged in Blu-ray case It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton A Disney "classic" that actually is a classic, Dumbo should be part of your video collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracized from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly," should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton A magical Walt Disney tale about the shy circus elephant whose big, floppy ears make him the target of ridicule among the other elephants. Dumbo gets lessons in self confidence from his rodent best friend, Timothy Q. Mouse, leading him to the revelation that his ears are actually a wonderful gift that will allow him to fly. Songs include "Pink Elephants on Parade" and "Baby Mine." 64 min. Standard; Soundtracks: English DTS HD 7.1 Master Audio, Dolby Digital stereo, Spanish Disney Enhanced Home Theater Mix 5.1, French Disney Enhanced Home Theater Mix 5.1; Subtitles: English (SDH), Spanish, French; audio commentary; "making of" documentary; featurettes; deleted scene; deleted song; art gallery; trivia; game; bonus shorts "The Flying Mouse" (1934), "Elmer Elephant" (1936). Also includes a DVD version of the film. Two-disc set. Disney's 50th full-length animated feature film, Tangled is a visually appealing, music-filled adventure full of romance and humor. The movie focuses on Rapunzel, a girl with long magical hair who's lived her entire life imprisoned in a tower by her greedy mother. Naturally optimistic and acquiescent, Rapunzel (Mandy Moore) rarely complains about her circumstances, but for her 18th birthday she longs to leave the tower to see the floating lights that appear every year on her birthday. Her mother (Donna Murphy) refuses her request, but when thief Flynn Ryder (Zachary Levi) climbs the tower to escape his pursuers, Rapunzel (once she's conked him on the head with a skillet multiple times) impulsively decides to trust the young man and convinces him to help her escape to see the floating lights. Thus begins a journey that alternates quite schizophrenically between optimistic excitement and guilty remorse that will ultimately change Rapunzel's and Flynn's lives forever. Tangled is a masterful blend of humor, adventure, passion, and drama combined with a great musical score and top-notch animation. The Real 3-D effects add to the experience but probably won't really be missed in other formats. Best of all, Disney presents a princess who matures from a meek and compliant girl into a spunky young woman who's not afraid to pursue her dreams and risk it all for love--now that's a Disney princess worth emulating. (Ages 6 and older) --Tami Horiuchi Disney presents a new twist on one of the most hilarious and hair-raising tales ever told. Your whole family will get tangled up in the fun, excitement and adventure of this magical motion picture. When the kingdom's most wanted - and most charming - bandit Flynn Rider hides in a mysterious tower, the last thing he expects to find is Rapunzel, a spirited teen with an unlikely superpower - 70 feet of magical golden hair! Together, the unlikely duo sets off on a fantastic journey filled with surprising heroes, laughter and suspense. Let your hair down and get ready to cheer for "Tangled." Bursting with never-before-seen bonus features, it's even more enchanting on Blu-ray Hi-Def.Features include: •MPAA Rating: PG•Format: Blu-Ray•Runtime: 100 minutes Specs:
Image Compression Format: M-JPEG standard
Image Resolution: VGA(640x480) / QVGA(320x240)
Sensor: 1/4 inch CMOS, 300,000 Pixels
Light frequency: 50Hz, 60Hz or Outdoor
Audio compression: ADPCM
Data rate: 802.11b: 11Mbps (Max.), 802.11g: 54Mbps (Max.)
Ethernet: One 10/100Mbps RJ-45
Viewing angle: 67?
Horizontal Rotating Angle: 0~270?
Vertical Rotating Angle: 0~120?
Alarm Mode: motion detection alarm and I/O alarm
Video Display: Microsoft Media Player
Image Transfer Velocity: 30fps @ VGA
Image Display: single / quad
Minimum Illumination: 0LUX
Video Format: AVI
Network Interface: Wi-Fi/RJ-45 10-100 Base T
Network Protocol: TCP/IP, FTP,SMPT, HTTP, ICMP, PPPoE
Monitor Mode: Firefox
Software Upgrade: Automatic upgrade
Security: User management system, password protection
Password Setting: administer, monitor, scrutiny
Working Condition: -10?C~ 50?C , 20% - 80%PH
Power Adapter: DC5V/2A 50/60Hz
Operating System: Windows 2000/Windows XP/Windows 7 and Apple MAC
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Package includes:
1 x IP Camera
1 x Antenna
1 x Base
1 x Power Adapter
1 x Network Cable
1 x CD Driver
Screws
Review
Works under both Apple MAC and Safari. However, browser must be run under Firefox. To choose your browser, please enter into the IP camera home page and select Firefox Introducing the Brand New Skeletool CX from Leatherman Get back to basics -- the very cool basics -- with Leatherman's Skeletool CX. Today’s outdoor enthusiasts want to keep weight and volume to a minimum without sacrificing quality and true functionality, and that's what the Skeletool is all about. Many multitools have multiple options, but they’re often heavier -- and they're loaded with more features than most people actually need on a regular basis. Conversely, pocket knives are light and streamlined, but they render themselves useless when the task calls for a more versatile tool. Enter the new Skeletool platform, offering minimal weight, compact size and endless capabilities. Key User Features The Skeletool CX has a large straight knife blade that can be accessed while the tool is closed; to open it, just place your thumb in the thumbhole at the base of the blade and rotate it out until it's fully extended -- which will engage the safety lock. This locking mechanism is noted with a padlock symbol on the tool. To unlock the blade, press the locking mechanism towards the handle until the blade slides past the lock. Equipped with a universal bit driver, the Skeletool offers real utility options like no other multitool. To change the tool bits, simply unfold the tool and remove the bit from the bit driver -- and pop it out. And replacing bits is just as easy. Just press a new one into position and you're good to go. There's even a spare bit located in the handle side opposite the knife blade. This tool includes the following bits: Phillips #1 and #2, screwdriver 3/16-inch and 1/4-inch. In the plier jaws you'll find a hard-wire cutter and a regular wire cutter. The regular wire cutter is great for softer grades of wire, but the hard-wire cutter is excellent for heavier jobs -- like cutting and bending fishhooks. Multitool Capabilities: The Skeletool keeps it simple -- and light, and compact, and easy to transport. Why waste time with pointless, heavy add-ons when all the basics are right at your fingertips? With its open hardware, skeletal design and hardy appearance, the Skeletool boasts a premium stainless steel blade, pliers, a universal bit driver, and a carabiner/bottle opener ... and that's it. Key Tech Specs: Length: 4 inches/10 cm closed Weight: 5 ounces/142 grams Materials: Stainless steel, Tungsten DLC coating, 154CM, carbon fiber (handle scale) Included Bits: Phillips #1 and #2, Screwdriver 3/16-inch and 1/4-inch Leatherman makes a full range of complementary accessories and add-ons for this and other Leatherman products. Optional Accessories (not included) Spice up your Skeletool with genuine Leatherman accessories. Options include a bit kit that offers 21 double-ended bits for real versatility. From new belt sheaths to t-shirts and caps, genuine Leatherman accessories are durable, fun and show that you're a part of Leatherman World. With such a wide variety available, it's easy to find just the add-on that's right for you. Warranty All Leatherman products are covered by a 25-year limited warranty. If within 25 years from the purchase date of your genuine Leatherman tool you find any defect in material or workmanship, you can count on the manufacturer to make it right with fast warranty service. To obtain warranty service, return your tool to Leatherman Tool Group. Depending on the tool defect, they will decide whether to repair your tool or replace it with a product of equal or greater value. No variations, upgrades or refunds are offered. The Leatherman Tool Group and its History of Quality In 1975, Leatherman Tool Group founder Tim Leatherman was inspired by leaky pipes and a cranky car on a budget trip to Europe -- and thus the idea for his first pocket survival tool was conceived. Since then, Leatherman has become an internationally recognized company with hundreds of employees and a wide variety of durable, versatile, stylish products. Created with bold designs and truly rugged construction, Leatherman products are a perfect addition for tool kits, emergency sets, and glove compartments everywhere. Eight-disc set includes "Harry Potter and the Sorcerer's Stone," "Harry Potter and the Chamber of Secrets," "Harry Potter and the Prisoner of Azkaban," "Harry Potter and the Goblet of Fire," "Harry Potter and the Order of the Phoenix," "Harry Potter and the Half-Blood Prince," "Harry Potter and the Deathly Hallows, Part 1," and "Harry Potter and the Deathly Hallows, Part 2." NOTE: This Title Is Out Of Print; Limit One Per Customer. Harry Potter and the Sorcerer's StoneHere's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug ThomasHarry Potter and the Chamber of SecretsFirst sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, special effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon Harry Potter and the Prisoner of Azkaban Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon Harry Potter and the Goblet of Fire The latest entry in the Harry Potter saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold. But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim Harry Potter and the Order of the Phoenix Alas! The fifth Harry Potter film has arrived. The time is long past that this can be considered a simple "children's" series--though children and adults alike will enjoy it immensely. Starting off from the dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a somber and angst-filled tone that carries through the entire 138 minutes (the shortest of any HP movie despite being adapted from the longest book). Hopes of winning the Quidditch Cup have been replaced by woes like government corruption, distorted media spin, and the casualties of war. As the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and especially Harry (Daniel Radcliffe) are more convincing than ever--in roles that are more demanding. Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he will soon find that this was just another chapter in the continuing loss he will endure. Lord Voldemort (Ralph Fiennes) has returned and, in an attempt to conceal this catastrophe from the wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only two people in the public eye who believe the Dark Lord has returned. With no one else to stand against the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order of the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat from the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry is forced to form a secret society of his own--lest the other young wizards at his school be left ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems to be able to understand. This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because of the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will suffer huge cuts from the original plot and character developments, but make no mistake: this is a good movie. --Jordan Thompson Harry Potter and the Half-Blood Prince The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few booksâit's dark, dangerous, and scary. Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy from Harry about the dark path that lies ahead, and instead provides private lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date. More dramatic and significant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson Harry Potter and the Deathly Hallows, Part I Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. KimHarry Potter and the Deathly Hallows, Part IIThe Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim All the laughs all the loves all the lattes - all yours! Settle in with the hilarious and acclaimed series about a family based on friendship. Rachel Monica Phoebe Joey Chandler and Ross were always there for each other. Now they're here for you in the complete 10-season set of Friends.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 012569832688 Manufacturer No: 83268 A sitcom behemoth of the last 10 years, Friends shot out of the gate in 1994 with snappy writing and an attractive cast. The exploits of sensitive paleontologist Ross Geller (David Schwimmer), his obsessive-compulsive sister Monica Geller (Courteney Cox); Monica's roommate Rachel Green (Jennifer Aniston), a spoiled rich girl trying to live on her own; earthy aromatherapist/masseuse Phoebe Buffay (Lisa Kudrow); and Monica's neighbors across the hall-- sarcastic Chandler Bing (Matthew Perry) and his dim-bulb roommate Joey Tribbiani (Matt LeBlanc) became a nationwide obsession, a pop-culture icon (remember "The Rachel" haircut?) and a top Nielsen hit for its entire run. See the 10 or more seasons club . The first two seasons were mostly centered on the on-off saga of Ross and Rachel, and while their relationship remained a strong presence through romantic rivals and even a baby, the other characters eventually moved from sideshow players into a shared comedic lead. But Friends was not without its heart. Most of the cast had dysfunctional relationships with their parents and went through loss, divorce, marriage, parenthood, and love triangles. The emotional pregnancies of Rachel (by Ross) and Phoebe (surrogate to her half-brother's triplets) won the actresses Emmy Awards, and Joey's tender feelings for Rachel in Season 8 won LeBlanc, the most improved actor in the series, a nomination. Most sitcoms run out of ideas by the fifth season, but Friends gave itself a refreshing jolt the minute Monica and Chandler wound up in bed together. Their budding romance was not only the one of the funniest arcs of the series, but one of the most sentimental, as they planned a wedding, struggled to have a child and eventually turned to adoption. By seasons seven and on, the characters had each "grown up" from young singletons to thirtysomethings finding permanence in their careers and love lives but never losing the laughs. Just friends? See our guide to who kissed whom on Friends. Friends featured a parade of celebrity guests, but unlike Will & Grace, it actually utilized most of the stars as more than cameos: The sextet's parents were all brilliantly cast, particularly Kathleen Turner as Chandler's drag-queen father and Teri Garr as Phoebe's dizzy mom. Everyone from George Clooney to Sean Penn to Julia Roberts to Bruce Willis has appeared on the sitcom, and Tom Selleck certainly enjoyed a career resuscitation after his recurring role as Monica's older man. But no star power ever penetrated the bond between the six stars, and their unmatchable chemistry worked for 10 seasons. Even if the show is on reruns daily, this boxed set of Friends remains watchable over and over again--even if that theme song grates on your nerves. Standout episodes include The One With All The Poker (Season 1), The One With The Birth (1), The One With the Prom Video (2), The One With the Flashback (3), The One Where Monica and Richard are Just Friends (3), The One Where Ross and Rachel Take a Break (3), The One With the Embryos (4), The One With All the Wedding Dresses (4), The One With the Thanksgiving Flashbacks (5), The One Where Everybody Finds Out (5), The One Where Ross Got High (6), The One With the Videotape (8), The One With the Rumor (8), The One With the Male Nanny (9), The One With Rachel's Other Sister (9), The One With Ross' Tan (10), and The One Where the Stripper Cries (10). --Ellen A. Kim More Info On Package Black:

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Interview with Up and Coming Artist: Black Suede
Tuesday, April 21, 2009 GLOK Interview: BLACK SUEDE - Best Of Every World: The Under Side Of The Music
Current mood: inspired Category: Music BLACK SUEDE - Best Of Every World: The Under Side Of The Music
By: GLOK a.k.a Frank Black
Some people live for the music, some people live through the music.. This next blazin unsigned sensation GLOK & Mafioso brings to you is known to do it all.. Doing it major for SC. Black Suede a.k.a 6 Stakks in the hood has the gift of making/writing music for all genres. With the co-sign from super known names such as Jermaine Dupri and Clive Davis this free agent is not only the Realist R&B artist.... PERIOD, but he is destined for success in the industry with or without approval.. This is what an unbridled passion to succeed sounds like.. NOW LISTEN!!!
GLOK: Expanding beyond the normal (and shining light on the slept on state).. Time to do it South Cak -a-lac style once again.. Got the homie Black Suede in the studio with me.. How you feeling today fam?
BLACK SUEDE: I’m Chillin’… Chillin’… doing’ good.
GLOK: Who is Black Suede, and how would you describe what you do?
BLACK SUEDE: Black Suede is a way of life.. A brand (if you will). What some artists fail to understand while coming up in the game is that your name is just as much of a product as you are. Therefore, you should treat it as such.. You know.. I'm here to make good music and a difference in the lives of others and the world around us.
GLOK: You have a very timeless sound and style.. A mixture of smooth R&B, Pop, Hip-Hop, (and many other Top-40 genres)... When did you realize that real musicians don't limit themselves?.. and is it possible for you to pick a favorite genre of music?
BLACK SUEDE: Well I want to start by saying’ that there’s no such thing as “White music” and “Black music”.. It’s all the same to me. I primarily focus on R&B, but at the same time, I am a Music producer, so, in order to be successful, I have to be able to make beats for many types of artists from all genres. In the process, I think, I’ve become one of the most marketable musicians out there. And As you would probably assume, I have no true favorite genre.. Good music is Good music.. Right now, I mainly listen to Hip-Hop and R&B.
GLOK: How did you get your name?
BLACK SUEDE: The name Black Suede was something that I came up with. Being that I am laid back and smooth.. Just like Suede..lol. Black because I’m a dark-skinned dude.. In case you can’t tell..lol. But I’ve always embraced that.. and That’s why all the shawties kick it with me on Saturdays (lol).. As far as my Hood name…(6 stakks).. lol.. Well, my homies used to always tease me on the fact that I drove a Pontiac 6000 LE…, so they just started calling’ me 6 stakks (and yea I still have that car to this date).
GLOK: Can you remember back to when you first discovered Hip-Hop?
BLACK SUEDE: I used to listen to a lot of Hip-Hop growing up, but I didn’t really know what it was until I got a little older. When I heard Pac, Biggie, and Jay I knew that this genre was here to stay.
GLOK: I always give artists the chance to reflect on what they have been through (the good, the bad, and the ugly) to get where they are today.. Let's touch on Suede's journey for a moment.. What was life like for you growing up in Rock Hill (shout out to Cran Neely) & Columbia , South Carolina ?
BLACK SUEDE: You know growing up in Columbia was pretty rough. My moms was a single mother, but she made sure that me and my brothas and sistas had what we needed. We didn’t have much, but I can honestly say that I’ve come from “Nothin’ to Somethin’” (Shots out to Loso).. I’m not ashamed of where I’ve come from, and the hardships that I’ve had to overcome.. That’ll just mean that my autobiographical movie will be that much more interesting (lol).
GLOK: So this Hustler's Mentality that you've applied to moving your music and that you say you will "always have".. Does that come from you being in the game (on the block gettin it in or whatever)?.. or is this just how you roll when it comes to achieving what you want?
BLACK SUEDE: A little of both. Those who hear me talk and interact wouldn’t know that I used to spend countless hours out there on the streets…They would have to ask me about it.. You know, when it comes down to it, I’m proud of where I’ve been, because without that background.. I wouldn’t have my thoroughness and Hustler’s instinct.. So yeah, I’m all of the above.
GLOK: What are your views on the South Carolina Hip-Hop/Music scene at the moment?
BLACK SUEDE: Right now, I think that some individuals in South Carolina are too focused on the local level.. I mean.. We have some talent down here, but a lot of them don’t get discovered because they either, lack motivation or the know-how.. I, on the other hand, have made it my business to learn my business. That is.. I’ve read countless books and listened to many entertainment lawyers in order to get a grasp of how the industry really works.. It’s not enough anymore to only have a good creative side.. You have to also understand where your money’s going’.. ya know?!?
GLOK: Who would you say are your musical influences, and why?
BLACK SUEDE: Definitely I’d have to say Akon and T-Pain right now.. They’ve done so much for the industry in the little time that they’ve been here.. I think they’re musical geniuses.. For them to be able to combine R&B and Hip-Hop the way they do definitely excites me about my craft.. So when I make my music.. I compare it to theirs to see if it would hit in the market.
GLOK: You’re in college now (Business and Finance Major) correct?.. Do you promote higher learning (unlike most artists these days)?
BLACK SUEDE: I obviously think that a College education is recommended, but not required.. I mean, there are countless artists who have been very successful without a degree.. I’m in College because after my years as an artist, I still want to be wealthy, therefore I feel that College is right for me.
GLOK: Do you still ghostwrite for other artists?
BLACK SUEDE: Occasionally, I do.. (but) I wouldn’t be a ghostwriter if I told you who I’ve written for.. lol.. but real talk, I’m a serious songwriter.. I pride myself on being able to put words together so well.
GLOK: What do you love most about South Carolina ?
BLACK SUEDE: Let me see (hmmm).. We don’t have any professional teams, and our College teams suck.. lol.. We don’t have much excitement going’ on out here.. I will say that it’s good to see all of the historical monuments and artifacts from the war and stuff.. Overall, Yeah South Carolina is really laid back (it fits my personality).
GLOK: With the major label system going down quicker than a Vegas hooker a lot of people believe this is a great time for indie artists.. What do you think?
BLACK SUEDE: (lol).. I think so, however, I’m almost certain that the majors have something up their sleeves to continue operating in the music industry.. Example, they’re using the 360 deal to get a portion of their artist’s earnings outside of the music industry.. Eventually, bye and bye, the music industry (as we know it) WILL become obsolete.. But the MUSIC will still continue.
GLOK: You have been selling your own music/product out of your trunk since 2007.. How many units or CD's have you personally moved as an unsigned artist?
BLACK SUEDE: Aww man.. That’s a good one.. ummm.. I don’t have an exact number, but I’d say around a couple thousand CD’s (give or take a few hundred).. I must say at $10 a pop, that ain’t doing’ too bad ya feel me.
GLOK: The major label system will NEVER be the same and produce those major dollars and deals because the indie artists got tired of begging for a deal and getting rejected.. Indie artists are smarter now, and technology has provided the tools to create your OWN label, buzz, $, etc.
BLACK SUEDE: The Hip-Hop/music industry, as a whole, is moving away from the record sales, and into an iTunes era.. Fortunately though, there are avenues for indie artists to make a decent living without the major label backing.. Many artists are signing on with KOCH Records, which allows them to retain most of their album revenues. (They split 50/50).. The bottom line is that If you truly want success…you’ll stop at nothing to obtain it (str8 up).
GLOK: What's your favorite Gangster Movie?
BLACK SUEDE: Aww man.. If I don’t say SCARFACE (what kind of G would I be?).. lol.. A modern day movie that I'm diggin’ is AMERICAN GANGSTER.. I’ve seen it like a hundred times, and I can recite all of Frank’s lines (verbatim).. So yea that’s another favorite.
GLOK: Obama will need the spirits of MLK, Kennedy, FDR and Lincoln, as well as a patient public to fulfill his vision of CHANGE.. Do you think people fully understand that if we don't "unite as one" Obama's win will somewhat be fruitless?
BLACK SUEDE: I don’t think that we truly understand that concept.. Obama winning the Presidency shows how far we’ve come as a nation, but we still have a lot of growing to do.. Discrimination still looms in the cities and a lot of things have been said, which lets me know that everyone isn’t on the same page.. If we all don’t set aside our differences and unite, we can't truly progress as a nation.
GLOK Fight Cards: Who do you think would win in a 5 round UFC match between Pimpin Curly (a.k.a 50 Cent) and Officer Ross (a.k.a Rick Ross)?.. Lil Ike (a.k.a Chris Brown) -vs- Trey Songz?
BLACK SUEDE: Ha ha ha, aww man.. In the UFC, I’ma have to give it to 50.. But I’m willing to bet money that Ross gone have the Chopper waiting for 50 before he leaves the arena (lol).. As for Chris Brown and Trey Seezy?!?.. I think I'ma give it to Trey.. He seems like he got that hood in him.
GLOK: It always excites me to see new faces/voices get the approval from well known industry names.. You have been commended and acknowledged by music industry heavyweights such as: Keith Sweat, Clive Davis (J Records), Jermaine Dupri (So So Def), just to name a few.. What has been your greatest accomplishment so far?.. and have these industry all-stars presented you with any good deals or offers yet?
BLACK SUEDE: I’ve been recognized by numerous individuals (in and outside the music industry), but I have to say that my greatest accomplishments so far have to be random people walking up to me and asking, “I know you.. You’re Black Suede!".. That means more to me than anything else. I’ve gotten a lot of looks from a number of labels (majors and Indies ), but I haven’t seen the right package yet. I’m not looking for a huge advance, I just want an opportunity for longevity in the long run.
GLOK: You have produced for some high level artists also.. Can you do a little name dropping for us?
BLACK SUEDE: Well I’ve produced for Nova Soprano’s mix tape.. He’s represented by G-Unit West (you know.. Spider Loc and the boys).. Another off the top of my head Is Urban Heat/Universal. They have an up and coming teenage pop artist that they needed songs for, so you know I was all in. These are just a couple, but I produced so many beats for so many people (signed and unsigned) that I literally lose track of them.. I guess pretty soon, I’ll need a discography huh (lol)?
GLOK: Black Suede aka 6 Stakks aka The Legitimate Superstar (nuff said).. For those that don't already know check him out at www.myspace.com/6stacksblacksuede to have a private listening session and purchase some GOOD MUSIC.. Keep making major moves brother and Thanks for the cigar.
BLACK SUEDE: You already know.. Thanks for having me.
About the Author
Black Suede
Black hair needs to go back to medium brown color ASAP?
I just recently dyed my hair dark brown. Although the drugstore package said dark brown it turned out BLACK. I am in need to change it back to medium brown ASAP. Any other ways rather then bleaching. Any kits that are good I would love to know about supposedly from Walmart or Shoppers Drug Mart. Please help me out.
If its a permanent there's no other way other than striping the colour with chemicals I just went through the same thing with a semi permanent which was only dark brown to dark blonde
Blue Devil Productions Presents: Black Blondie & Junkyard Empire
We here at the University of Wisconsin-Stout are extremely lucky. Already this year we have enjoyed live music by some of the best in the Midwest, and Thursday, March 4 is no exception. Twin City experimental R&B group Black Blondie will hit the stage with politically charged hip-hoppers Junkyard Empire at 8 p.
Thanks for visiting!



