Archie's Archery Depot

Our tortilla warmer is ideal for heating tortillas and pancakes. The unique design heats your favorite foods in minutes. It is durable and ideal for everyday microwave use. Handwash is recommended with warm soapy water

As seen on TV. 2 piece mold set made of flexible, non-stick silicone. Bake giant cupcakes! 25x bigger cupcake! Package Includes: cupcake top; cupcake bottom. Bonus! Easy-fill insert and idea book. Use the easy-fill insert to add your favorite filling! Ice cream; pudding; gelatin; fruit; candy; whipped cream. Made of flexible non-stick silicone. Dishwasher safe. Add any filling. Mix and match - make a vanilla top with a chocolate bottom! Perfect for any occasion. The ultimate party activity! Made in China.

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Dismissed by some as the redneck Led Zeppelin, yet beloved by a faithful and grassroots following for just that reason, Lynyrd Skynyrd sailed above it all--even the dark tragedy that befell them less than a year after this landmark live set was recorded in Atlanta. A triple-platinum perennial in its classic-rock heyday, this 25th anniversary edition has been digitally restored and authentically remixed on vintage '70s equipment to great effect. The band's performances have also been resequenced to their original running order to accurately recreate the Skynyrd '70s live experience. Even Allen Collins's later-overdubbed intro to their ubiquitous epic "Free Bird" has been restored with the original. Cameron Crowe's original notes are also here, long before Almost Famous, and he insightfully puts the album in its proper historical perspective. But the real premium here is the almost full disc of bonus cuts, including previously unreleased versions of "Simple Man," "Gimme Back My Bullets," "Workin' for MCA," "I Ain't the One," "Searching," and other alternate versions recorded during the Atlanta stand ("Gimme Three Steps," "Call Me the Breeze," "Sweet Home Alabama," "Crossroads," "Free Bird"), but until now scattered elsewhere in the Skynyrd catalog. --Jerry McCulley

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: LYNYRD SKYNYRDTitle: ONE MORE FROM THE ROADStreet Release Date: 09/11/2001

Lest you think Jamie Foxx is simply capitalizing on his Oscar-winning turn in Ray, don't forget that Unpredictable is actually a follow-up (albeit 11 years later) to his 1994 debut, Peep This. In fact, Unpredictable even sounds like a slow jams album from the '90s; despite featuring guests like Snoop, Kanye West, and The Game, Foxx isn't trying to out- club Ciara or Amerie with a series of hip-hop-flavored tracks. Instead, he relies on getting his croon on with tried-and-true R&B balladry. Unpredictable actually gets rather predictable over the course of 15 songs, too many of which begin to meld into one another. But on the best songs, like the sublimely acoustic "Heaven" and his duet with Mary J Blige ("Love Changes"), Foxx reminds you that he has been singing just as long as he's been acting; this is no Jamie-Come-Lately. --Oliver Wang

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In space no one can hear you kvell as you open this deluxe collector's set. Along with "Alien" (1979 theatrical version and 2003 director's cut), "Aliens" (1986 theatrical version and 1991 special edition), "Alien 3" (1992 theatrical version and 2003 special edition), and "Alien Resurrection" (1997 theatrical version and 2003 special edition), there's also two bonus discs bursting with extra features. Six-disc set.

Review of AlienA landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff ShannonReview of AliensAliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall FineReview of Alien 3The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall FineReview of Alien ResurrectionPerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

It's hard to see just where the Alien Anthology Blu-ray boxset could have been improved. Nominally a collection of the four main films in the franchise, what's actually been bundled together here is one of the finest DVD or Blu-ray boxsets to date, boasting a series of features that genuinely go into a lot of depth about the movies themselves. And what movies they are. Alien and Aliens are both exceptional pieces of cinema, and rightly regarded as classics in their own right. Alien 3, meanwhile, has to be classed as an interesting and muddled failure, yet it's still got a lot to like about it. Alien: Resurrection? It's perhaps the least ambitious of the four films, but in the early stages at least, it's still with merit. Each of the films is presently strongly, surprising given the variable DVD versions of each we've seen to date. But it's the mammoth package of extras that set a template for pretty much every other Blu-ray boxset on the market. Spread across six discs, you not only get two cuts of each film, but you get extra features that are as impressive as they comprehensive. Presented brilliantly, it's an unmissable box set, and you get at least two all-time classics as part of it. --Jon Foster

The Nite Guard solar-powered night predator light is a maintenance-free unit that keeps nocturnal predators away from your birds, livestock and property. Dimensions L x W x H (in.): 3 x 1 x 2, Removal Of: Nocturnal predators, Single, Pair, or Set: Single, Power Source: Solar, Indoor/Outdoor Use: Outdoor, Material Type: Sealed temperature resistant plastic, Includes: Auto on/off

Field-tested and -approved, the Ka-Bar Kukri machete is ideal for chopping down weeds, clearing a campsite, or cutting small branches. The machete is equipped with a 1085 Kukri-style carbon-steel blade that excels at chopping and basic field use, along with an ergonomically shaped Kraton G thermoplastic elastomer handle with a non-slip grip. The Kukri measures 17 inches overall with an 11-1/2-inch blade and comes with a black leather/Cordura combination sheath. Specifications Blade shape: Kukri Stamp: Taiwan Edge angle: 20 degrees Steel: 1085 carbon Pocket clip: N/A Lock style: N/A Grind: Hollow Handle: Kraton G Blade length: 11-1/2 inches Overall length: 17 inches Weight: 1.7 pounds

The Kukri Machete features a 11 1/2 in. blade made from 1085 Carbon and a black Kraton- G. Machete has an overall length of 17 in. includes lanyard hole and a leather/cordura sheath. ATTRIBUTES Blade Detail: Plain Edge Blade Length (inches): 11.50 Blade Material: 1095 High Carbon Black Carry System: Leather/Cordura Sheath Handle Material: Kraton Overall Length (inches): 17.00

The Large TDI features a 3 11/16 in. black blade made form AUS 8A Stainless Steel with a black zytel handle and an overall length of 7 9/16 in. The knife includes a hard plastic sheath with velcro straps. ATTRIBUTES Blade Detail: Plain Edge Blade Length (inches): 3.69 Blade Material: AUS8A Black Carry System: Nylon Sheath Handle Material: Zytel Overall Length (inches): 7.56

In extreme close-quarter encounters, it's often difficult for an officer to access his or her handgun when grappling with a suspect. Enter the TDI law enforcement knife, which makes an ideal "last option" knife. When worn on the pant belt, the entire unit--knife and sheath--is well concealed. The knife's blade is made of black powder-coated AUS 8A stainless steel, and is available with your choice of a straight or serrated edge. The textured Zytel handle, meanwhile, fits comfortably in the hand. The knife was designed by John Benner, founder and owner of the Tactical Defense Institute. Specifications Blade: AUS 8A stainless steel Shape: Drop point Edge angle: 15 degrees Stamp: Ka-Bar Grind: Hollow Handle material: Zytel Lock style: N/A Pocket clip: N/A Blade length: 2-5/16 inches Overall length: 5-5/8 inches Weight: 0.35 pounds

When you're chasing after a suspect, be sure to have the KA-BAR TDI Law Enforcement Tanto Knife in your possession. This high-performance knife comes with flexible Cordura straps to mount to duty belts, tactical vests, or underneath your pant leg. This lightweight, compact knife features a stainless steel blade with drop point shape and a versatile 15 degree blade angle. The Tanto Knife comes with either a straight or serrated edge. The comfortable handle is made from Zytel, providing a balanced grip and easy maneuverability. The flat blade is 3-11/16 inches long and the overall length is 7-9/16 inches. The knife includes a nylon sheath to protect the blade and keep it sharp. This is the knife that officers trust to provide the performance that they can rely on out in the field.

From executive producer George Lucas comes this high-flying historical drama that chronicles the adventures of the 332nd Fighter Group--an African-American squad of Army Air Corps pilots serving in World War II. After a rigorous training period in Tuskegee, Alabama, in which they battled discrimination, the brave men--led by Colonel A.J. Bullard--travelled to Italy to take part in aerial battles that helped change the course of history. Terrence Howard, Cuba Gooding, Jr., Gerald McRaney, Bryan Cranston star. 125 min. Widescreen; Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround, Spanish Dolby Digital Surround; Subtitles: English, French, Spanish; featurettes.

Aerial spectacle gives this World War II drama a lift. Based on the true adventures of the Tuskegee Airmen, who battled Nazis in the air and racism on the ground, Red Tails is built around four pilots, each with a character-type-appropriate nickname: the daredevil is named Lightning (David Oyelowo), the likable boozer is Easy (Nate Parker), the kid trying to prove himself is Junior (Tristan Wilds), and the joker is called, uhm, Joker (Elijah Kelley). While these four chafe at their lousy assignments at the front, Colonel Bullard (Terrence Howard, applying his steely rasp to fervent, inspirational speeches) fights back in Washington to give these men a chance to prove themselves… and when they get that chance, prove themselves they do. This is a crucial bit of history--racial integration in the military was a key step leading to the civil rights movement decades later. Regrettably, this powerful material has been reduced to ham-fisted clichés, groaning under the weight of clumsy exposition. Such flimsy hokum is particularly surprising coming from co-screenwriter Aaron McGruder, creator of the sharply satirical The Boondocks; one suspects that the heavy hand of producer George Lucas was a factor. Nonetheless, when Red Tails takes to the air, the movie--like the pilots--shows its mettle. Though the digital effects are inexplicably uneven, the dizzying dogfight choreography will make your nerves tingle. --Bret Fetzer

From executive producer George Lucas comes this high-flying historical drama that chronicles the adventures of the 332nd Fighter Group--an African-American squad of Army Air Corps pilots serving in World War II. After a rigorous training period in Tuskegee, Alabama, in which they battled discrimination, the brave men--led by Colonel A.J. Bullard--travelled to Italy to take part in aerial battles that helped change the course of history. Terrence Howard, Cuba Gooding, Jr., Gerald McRaney, Bryan Cranston star. 125 min. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, Dolby Digital 5.1, Dolby Digital Surround, DVS Dolby Digital 5.1, French Dolby Digital 5.1, Dolby Digital Surround, Spanish Dolby Digital 5.1, Dolby Digital Surround; Subtitles: English (SDH), Spanish; documentary; featurettes. Also includes a DVD version of the film. Two-disc set.

Aerial spectacle gives this World War II drama a lift. Based on the true adventures of the Tuskegee Airmen, who battled Nazis in the air and racism on the ground, Red Tails is built around four pilots, each with a character-type-appropriate nickname: the daredevil is named Lightning (David Oyelowo), the likable boozer is Easy (Nate Parker), the kid trying to prove himself is Junior (Tristan Wilds), and the joker is called, uhm, Joker (Elijah Kelley). While these four chafe at their lousy assignments at the front, Colonel Bullard (Terrence Howard, applying his steely rasp to fervent, inspirational speeches) fights back in Washington to give these men a chance to prove themselves… and when they get that chance, prove themselves they do. This is a crucial bit of history--racial integration in the military was a key step leading to the civil rights movement decades later. Regrettably, this powerful material has been reduced to ham-fisted clichés, groaning under the weight of clumsy exposition. Such flimsy hokum is particularly surprising coming from co-screenwriter Aaron McGruder, creator of the sharply satirical The Boondocks; one suspects that the heavy hand of producer George Lucas was a factor. Nonetheless, when Red Tails takes to the air, the movie--like the pilots--shows its mettle. Though the digital effects are inexplicably uneven, the dizzying dogfight choreography will make your nerves tingle. --Bret Fetzer

Surya henna Brasil Cream Hair Coloring & Hair Treatment Cream. Surya Henna cream colors while revitalizing, moisturizing and conditioning your hair. Its formula, enriched with natural extracts, nourishes hair for increased luster, softness and elasticity to the hair threads. Itcolors wihtout severing the original structure of capillary keratin and forms a protector film around each thread, protecting the health of your hair. Surya Henna cream is a new concept in hair coloring and treatment which doesn't harm your hair and your health. They have developed this formula using natural and exotic herbs and fruits from India and the Brazilian Amazon Forest. Inspired and guided by the principles of Ayurvedic medicine, Surya Henna products improve the health of your hair by using plants that have beenused successfully for thousands of years. Surya Henna Cream is available in 15 different color tones ranging from blonde, brown, red and black. Surya Henna Quality Guarantee: -does not contain peroxide, ammonia, heavy metals, parabens, ppd, resorcinol or other ingredients which may cause harm to the health or to the environment -no animal testing, does not contain ingredients of animal origin. -raw materials extracted with environmental responsibility prusuing sustainable development. -does not contain genetically modified substances. Benefits of Surya Henna Cream: -Guaranteed to cover gray and white hair in the first application! -Intensive treatment and shine from scalp to hair-ends -May be used safely after hair has been treated chemically, i.e. permanent wave, smoothing, toning etc.