http://www.iawgcp.com/short-draw/
Check Ebay for Short Draw products.
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| MEN'S NAUTICA SHORTS SWIM TRUNK LINED SHORT NAVY BLUE DRAW STRING XL EXTRA LARGE | ![]() |
0 Bid | US $4.99 | 2d 4h 52m |
| NEW 2012 PSE EVO SHORT DRAW BOW HUNTING PKG, NEW SKULLWORKS CAMO, RH 70# | ![]() |
0 Bid | US $849.99 | 2d 5h 16m |
| HOLLISTER~MENS DRAW-STRING WAIST HAWAIIAN PRINT BOARD SHORT SWIM TRUNKS~S~NWT | ![]() |
0 Bid | US $24.99 | 2d 11h 24m |
| Empyre by Zumiez junior jean short shorts sz small draw string pockets | ![]() |
0 Bid | US $9.99 | 2d 13h 27m |
| Empyre by Zumiez junior jean short shorts sz lrg draw string pockets | ![]() |
0 Bid | US $9.99 | 2d 13h 33m |
| A CUTE LOOKING PAIR OF GIRLS SZ 10/12 OLD NAVY ELASTIC WAIST/DRAW STRING SHORT | ![]() |
1 Bid | US $2.00 | 3d 9h 22m |
| Oneida Eagle Tomcat Bow SHORT Draw | ![]() |
2 Bids | US $152.50 | 2d 8h 58m |
| Acrylic Nail Art Brush Pen Drawing Painting Dot Tool | ![]() |
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US $2.45 | 9d 11h 42m |
| JIM CAPALDI - SHORT CUT DRAW BLOOD (LP) 1975 Traffic | ![]() |
0 Bid | US $9.99 | 4d 3h 26m |
| gently used Big Dogs short pajama set, draw tie and elastic waist pant, PINK | ![]() |
0 Bid | US $10.99 | 4d 21h 48m |
| Girls Chiffon Drawing Ribbon Strip Short Sleeve T Shirt | ![]() |
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US $8.78 | 5d 19h 17m |
| Reese Pro Series 15k Fifth 5th Wheel Trailer Hitch Slider for Short Bed Trucks | ![]() |
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US $449.00 | 13d 12h 34m |
| 16K FIFTH WHEEL TRAILER HITCH KIT ROLLER SLIDER + RAILS | ![]() |
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US $659.99 | 8d 23h 9m |
| AKITA Limited Edition Drawing Art Print 3 diff avail | ![]() |
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US $7.80 | 28d 2h 21m |
| JIM CAPALDI SHORT CUT DRAW BLOOD LP ON ISLAND 70's CLASSIC ROCK | ![]() |
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US $4.88 | 29d 14h 41m |
| Jim Capaldi "Short Cut Draw Blood" PROMO LP | ![]() |
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US $4.17 | 29d 3h 34m |
| Liz Wear by Liz Claiborne Women's Knit Draw String Lounge Pant | ![]() |
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US $13.49 | 29d 3h 12m |
| Liz Wear by Liz Claiborne Women's Knit Draw String Lounge Pant | ![]() |
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US $13.49 | 29d 3h 12m |
| Liz Wear by Liz Claiborne Women's Knit Draw String Lounge Pant | ![]() |
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US $13.49 | 29d 3h 12m |
| Polo Ralph Lauren Cotton Draw String Light Cream Embroidered Blue Pony Short 36W | ![]() |
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US $76.99 | 28d 9h 31m |
| AKITA Limited Edition Drawing Art Print 3 diff avail | ![]() |
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US $7.80 | 28d 2h 21m |
| RC- JIM CAPALDI SHORT CUT DRAW BLOOD 12" LP VINYL RECORD EX COND | ![]() |
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US $4.69 | 28d 1h 19m |
| JIM CAPALDI short cut draw blood LP 9 track (iLPs9336) uk island 1975 | ![]() |
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US $11.24 | 27d 23h 51m |
| Jim Capaldi Short Cut Draw Blood Vinyl LP Good Traffic | ![]() |
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US $3.99 | 27d 23h 47m |
| Long Story Short: Ten-Minute Devotions to Draw Your Fam | ![]() |
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US $18.94 | 27d 18h 27m |
| Deathly Insect Vintage Drawing Poisonous Fly T-Shirt | ![]() |
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US $13.99 | 23d 15h 55m |
| Short Sleeve Draw String V-Neck Top - LOT OF TWO COLORS | ![]() |
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US $10.95 | 27d 9h 38m |
| Short Sleeve Draw String V-Neck Top - LOT OF TWO COLORS | ![]() |
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US $10.95 | 27d 9h 38m |
| Short Sleeve Draw String V-Neck Top - LOT OF TWO COLORS | ![]() |
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US $10.95 | 27d 9h 38m |
| Guantanamo Remembered: [A Collage of Short Stories Draw | ![]() |
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US $24.14 | 27d 8h 36m |
| JIM CAPALDI: Short Cut Draw Blood (rock & pop vinyl LP) | ![]() |
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US $10.00 | 27d 2h 10m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
| K-POP BEATOY Drawing Logo Short Sleeve with BEAST B2ST | ![]() |
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US $49.99 | 26d 19h 6m |
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Check out Amazon for Short Draw big bargains! WOW! 150 Cartoon Classics DVD Set. PRICED LOW! Hours of classic animation! Here's the ultimate collection of 150 Classic Cartoons. A laugh a minute featuring all-time favorite characters and fun-filled antics from the Golden Age of animation. Starring Woody Woodpecker, Popeye, The Three Stooges, Casper, Betty Boop and more on 4 Discs. Set weighs 6 ozs. Nab your kid-friendly Set now! 150 Cartoon Classics DVD Set All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed. Track Listing
1. D and K Cadence - (The Senate)
2. Been Away
3. I Want a Girl Like You
4. Blowin' Me Up (With Her Love)
5. Club Banger
6. Faithful to You
7. Butterflyz - (Krucialkeys Remix, KrucialKeys remix)
8. Uh Oh
9. My Own Thing
10. What You Waitin' For
11. Peanuts
12. I'm Scared of You
13. Shout It Out
14. Let's Go
15. Marching Band Medley: Let's Go/Uh Oh/Bouncin Back (Bumpin' Me Up ...)
16. Classic Drum Battle: Destruction/No Draws/X-Factor/Hot Sauce, The
Details, Producer: Alicia Keys, John Powell, Dallas Austin, Cliff Jones, Jazze Pha, Infa-Red, Big Bob
Distributor: BMG (distributor)
Recording Type: Studio
Recording Mode: Stereo
SPAR Code: n/a Hop is all about achieving one's dreams, regardless of how fantastical those dreams may seem. Hidden deep inside the mouth of a moai statue on Easter Island is a candy factory that produces the world's Easter candy and looks like a cross between Willy Wonka's Chocolate Factory and Santa's Workshop. The Easter Bunny and a very bossy chick foreman named Carlos take their responsibility to make Easter happen very seriously. But the Easter Bunny's son E.B. dreams not of taking his rightful place as the next Easter Bunny, but of becoming a famous drummer--a situation that his father finds highly disappointing. In the human world, Fred O'Hare is also a disappointment to his father; he's a young man who can't seem to find a job that he's passionate about--indeed, he's a slacker who can't seem to find any job at all. E.B. and Fred meet on the streets of Hollywood and become unlikely roommates in a borrowed mansion. As the two struggle to find and pursue their dreams, hilarity ensues and each character learns a surprising lesson from the other. Hop is full of comic moments that include a bunny that poops jellybeans, chicks that shout through "eggaphones," and an elite bunny force known as the "pink berets." The premise of the story is a lot like director Tim Hill's earlier Alvin and the Chipmunks films--a man without direction finds his purpose through an unlikely relationship with a cute talking animal after enduring lots of big messes and plenty of silly slapstick humor. The main difference is that in this film, energetic drum solos replace the high-pitched, sped-up singing of little chipmunks. The combined animation and live action is deftly handled by Chris Meledandri's Illumination (Despicable Me). Hop is a film full of silly antics and some good chuckles--it's not deep, but kids ages 7 and older, as well as adults, should enjoy it. --Tami Horiuchi From the makers of Despicable Me comes an all-new comedy about candy, chicks and rock n roll! He was destined to be the Easter Bunny, but all he wanted to do was rock! When teenage E.B. (voiced by Russell Brand) leaves for Hollywood in pursuit of his dream to become a rockstar drummer, he meets Fred (James Marsden), an out-of-work slacker with his own lofty goals. Together the two encounter a series of hilarious mishaps and misadventures and in the end help each other recognize the importance of family. A pet project of Little Mermaid, Aladdin, and Hercules codirectors Ron Clements and John Musker, Treasure Planet is an ambitious animation hybrid (traditional animation combined with elaborate CGI backgrounds). It was the subject of numerous in-studio battles, but Disney office politics and a poor public reception distracted from its many admirable qualities, not the least being its overall fidelity to Robert Louis Stevenson's classic novel Treasure Island. Curiously revamped as a sci-fi adventure with spacefaring galleons, flintlock ray guns, and extreme-sports attitude, it caters to an young audience for whom Stevenson's adventure is an unknown quantity, revving up the material with arcade-game excitements. It's entertaining, for what it is, and kids will surely enjoy it. Maybe next time, however, Disney will follow its own legacy and properly adapt Stevenson (as they did with their 1950 live-action classic) for a new, and hopefully receptive, generation. --Jeff Shannon From the directors of Disney's ALADDIN and THE LITTLE MERMAID comes a spectacular new motion picture for the entire family. Buckle up for thrills and excitement as a classic story of friendship, courage, and self-discovery gets an incredible futuristic twist for an all-new generation. It's "another jewel in the crown of Disney animated classics" (Clay Smith, Access Hollywood). A secret map inspires a thrilling treasure hunt across the universe as young Jim Hawkins and a hilarious cosmic crew headed by the daring Captain Amelia set off in search of their destiny. Aboard a glittering space galleon, Jim meets the ship's cyborg cook, John Silver, who teaches him the value of friendship and the power of dreams. Jim soon teams up with his crazy new robot pal, B.E.N., and the shape-shifting Morph to discover a treasure greater than he ever imagined. Featuring an all-star voice cast including Emma Thompson, Martin Short, David Hyde Pierce, Joseph Gordon-Levitt, Brian Murray, and Michael Wincott -- TREASURE PLANET is "a magical, inventive, and utterly delightful movie" (Paul Clinton, CNN). Product Measures: 0.61" x 5.34" x 7.5" Celebrate Strawberry Shortcake’s new royal movie adventure where Strawberry has just been appointed Berryfest Princess of the festival.Product Measures: 0.5 x 5.5 x 7.5 This is an "EB" model. EB Models have a Battery Management System (BMS). BMS keeps a check on the key operational parameters during charging and discharging such as voltages, currents, internal and ambient temperature.
There are three main objectives common to all Battery Management Systems.
Protect the cells or the battery from damage.
Prolong the life of the battery.
Maintain the battery in a state in which it can fulfil the functional requirements of the application for which it was specified.
The EB version is ideal for continuous draw situations up to 25 amps.
This is a drop in replacement for your Lead-acid battery, and will require no change to your stock charging system. LifePO4 contains no poisonous lead, no acid, and do not create gasses during charge, as traditional Lead-Acid batteries do. Compared to lead-acid, Lithium Iron Phosphate batteries are also extremely light, have much lower self-discharge, do not sulfate, and are environmentally friendly.
No risks by charging built-in security.
Short circuit protection.
No presence of toxic substances.
NOTE: Lithium Iron Phosphate is non-refundable! Number 4 Jour d'automne Texture Styling CrèmeNumber 4 Jour d?automne Texture Styling Crème is ideal for all hair and gown lengths. Achieve flexible, pliable, weightless control with light separation and sublime texture. Its anti-frizz condition enhancing formula duos as a styling aid and treatment. Gives texture to transport those ?short bobs? to indefinable territories. Our four signature Liquid ComplexesTM define all of our products and ensure nothing less than a hair miracle. They draw upon water?the spring of health and eternal youth, and an advanced delivery system that takes beneficial botanical ingredients and creates tiny molecules from that material to infuse unique anti-aging, strengthening, color preserving and purifying ?I can?t believe I fit in this dress? results.Features and Benefits - Vegetable Protein Strengthens and protects. Sunflower Seed Oil Nourishes, conditions and moisturizes. Silicone Polymer Detangles when applied to wet hair. Creates a smooth, silky feel on d Number 4 Jour d'automne Texture Styling Crème is ideal for all hair and gown lengths. Achieve flexible, pliable, weightless control with light separation and sublime texture. Its anti-frizz condition enhancing formula duos as a styling aid and treatment. Gives texture to transport those "short bobs" to indefinable territories. Our four signature Liquid ComplexesTM define all of our products and ensure nothing less than a hair miracle. They draw upon water-the spring of health and eternal youth, and an advanced delivery system that takes beneficial botanical ingredients and creates tiny molecules from that material to infuse unique anti-aging, strengthening, color preserving and purifying "I can't believe I fit in this dress" results. This product is 400 watts continuous power inverter with 5 Volts 2.1 Amps and USB ports which can power the iPad. This includes 2 grounded AC outlets plus 2 USB ports to power your appliances. Other compatible appliances include laptop computers, cell phones, MP3 players, digital cameras, portable games, power tools, etc. This also provides 1000 watts peak surge power and loaded with safety features such as overload protection, auto-reset short circuit protection, and low battery shutdown. The built-in surge protection allows for safe car start up and shut down. This fits all standard vehicle 12 Volt sockets. Battery clamps are included. The Wagan EL2003-5 is a 400W continuous power inverter with 5 Volts and 2.1 Amps of power and USB ports which can power tablets such as the iPad. This includes two grounded AC outlets, plus 2 USB ports to power your appliances. Other compatible appliances include laptop computers, cell phones, MP3 players, digital cameras, portable games, power tools, and more. The EL2003-5 also provides 1000W of peak surge power and comes loaded with safety features such as overload protection, auto-reset short circuit protection, and low battery shutdown. The built-in surge protection allows for safe car start up and shut down. This product fits all standard vehicle 12V sockets. Battery clamps are included. Powerful enough to charge larger devices such as the iPad via USB Includes two AC outlets and two USB ports Run Additional Electronics with More Powerful USB Wagan EL2003-5 Smart AC Inverter 400 Watt USB+ includes a more powerful 2.1 Amp USB, making it an essential item for anyone who uses larger electronics on the go. This upgraded item now includes more powerful 2.1 amp USB ports which make it compatible with the iPad and other tablet computers, plus e-readers such as the Kindle. You can also charge electronics such as your laptop, cell phone, MP3 player, digital camera, portable game player, and more. Simply plug this item into your vehicle's 12V outlet and plug in your appliances. It will allow you to run appliances up to 400W in your vehicle. Another useful feature is the built-in overload protection and low battery shutdown. You can use this inverter even if your vehicle engine is turned off, plus it will shut down automatically to prevent total battery drain. 2.1 Amp USB To provide stable charging power for the power-hungry tablet devices that we see on the market, Wagan Tech has just the right product to help you with that while on the go. While most USB are only powered to 1.5 Amp, Wagan's 2.1 Amp ports can charge tablets such as iPad and other tablets that are currently on the market. Just plug the inverter into the vehicle’s 12V outlet, and charge your devices while you are on the go, and have a fully charged unit ready for use when you reach your destination. Safety Features This inverter features auto reset short-circuit protection so it will automatically shut down when the unit is overloaded. It will also shut down when input power is low, to prevent total battery drain, to ensure that your vehicle will still work afterward. Although this unit will still function while the vehicle is turned off, as a precaution, it is suggested that you remove the adapter from your vehicle’s 12V outlet when not in use. (Some vehicles still provide power to the socket even when the vehicle’s power is turned off.) What's in the Box? Wagan EL2003-5 400 Watt Continuous Power Inverter, instruction manual, DC cable, alligator clips, warranty. Warranty Wagan offers a 1 year limited warranty for defective items only. Customers have 1 year from the date of purchase to submit their warranty claim to its customer service dept. if an item is defective. A valid proof of purchase is required to activate the warranty. Additional warranty details are listed on the insert card that is shipped with your purchase. About Wagan Corporation Wagan Corporation is in the business of high-tech automotive accessories. They are committed to delivering products that support the needs of today’s and future fast paced lifestyle with comfort and convenience. Wagan Corporation emerged with production in the automotive accessory market with simpler items now to more innovative products for laptops, cellular phones, travel and mobile accessory segments. They design and focus their products to support the lifestyle of people on the go. Wagan Corporation is able to use economics of scale to offer consistently reasonable prices to develop long term relationship with retailers. As a global supplier of automotive accessory products, quality and customer satisfaction are always top priorities. Technical Specifications True Rated Power: 400W continuous Peak Surge: 1000W AC Voltage Output: 110v AC, 60 Hz USB Output: 5V 2.1 A Optimum Efficiency: 90% DC Input Voltage Range: 10V to 15V DC No Load Current Draw: < 0.3 A DC Auto Low Battery Shutdown: 10V Thermo Protection: Cooling fan AC outlets: 2 USB ports: 2 (5V 2.1 A) Dimensions: 6.5” x 4” x 2” Wagan Tech 2402-5 Smart AC 200 USB Plus requires no installation, simply plug in and use. It runs and charge 110V equipment in your vehicle. It provides USB power port to charge and power tablet, cell Phone, MP3 player and other USB appliances. The Wagan EL2402-5 Smart AC Inverter is a 2.1-Amp USB power port that is compatible with iPad and other tablets, Kindle and other e-readers, smartphones, cell phones, MP3 players, digital cameras, and other USB appliances. It features two AC 120-volt outlets delivering 200 Watts of continuous power. Run and charge 110v electronics in your vehicle. It's safe to use thanks to high peak wattage (500W) for sensitive electronics, auto reset short circuit protection, overload protection and low battery shutdown, and built-in surge protection for car start up and shut down. It can even operate with the vehicle engine turned off. Power enough to charge laptops and tablets such as iPad Run Additional Electronics with More Powerful USB The Wagan EL2402-5 Smart AC Inverter includes a more powerful 2.1-Amp USB port, making it an essential item for anyone who uses larger electronics on the go. This more powerful 2.1-Amp USB port makes it compatible with the iPad and other tablet computers, plus e-readers such as the Kindle. You can also charge electronics such as your laptop, cell phone, MP3 player, digital camera, portable game player, and more. Simply plug this item into your vehicle's 12v outlet and plug in your appliances. It will allow you to run appliances with up to 200 watts in your vehicle. Another useful feature is the built-in overload protection and low battery shutdown. You can use this inverter even if your vehicle engine is turned off, plus it will shut down automatically to prevent total battery drain. 2.1-Amp USB Power Wagan Tech designed this product especially for people who need to power their electronics while they’re on the go. This is the perfect item to provide stable charging power for power-hungry tablet devices on the market today. Most USBs only provide 1.5 Amps of power. Fortunately Wagan's 2.1-Amp USB product is compatible with even more powerful products so you can charge the iPad and other tablets, plus e-readers, etc. Just plug the inverter into the vehicle’s 12V outlet, connect your electronics, and charge them while you are on the go so they can be ready to use when you reach your destination. Two AC outlets for simultaneous charging Safety Features This inverter features auto reset short-circuit protection so it will automatically shut down when the unit is overloaded. It will also shut down when input power is low, to prevent total battery drain, to ensure that your vehicle will still work afterward. Although this unit will still function while the vehicle is turned off, as a precaution, it is suggested that you remove the adapter from your vehicle’s 12v outlet when not in use. (Some vehicles still provide power to the socket even when the vehicle’s power is turned off.) Warranty Wagan offers a 1 year limited warranty for defective items only. Customers have 1 year from the date of purchase to submit their warranty claim to Wagan's customer service dept. if an item is defective. A valid proof of purchase is required to activate the warranty. Additional warranty details are listed on the insert card that is shipped with your purchase. About Wagan Corporation Wagan Corporation is in the business of high-tech automotive accessories. They are committed to delivering products that support the needs of today’s and future fast paced lifestyle with comfort and convenience. Wagan Corporation emerged with production in the automotive accessory market with simpler items now to more innovative products for laptops, cellular phones, travel and mobile accessory segments. They design and focus their products to support the lifestyle of "people-on-the-go". Wagan Corporation is able to use economics of scale to offer consistently reasonable prices to develop long term relationship with retailers. As a global supplier of automotive accessory products, quality and customer satisfaction are always top priorities. What's in the Box? Wagan EL2402-5 Smart AC Inverter, instruction manual, warranty. Technical Specifications True Rated Power: 200w continuous Peak Surge: 500 W AC Voltage Output: 100V ± 5V AC RMS USB Output: 2.1 A Optimum Efficiency: 90% Input Voltage Range: 10V to 15 V DC No-Load Current Draw: 0.15A Low Battery Alarm: No Low Battery Shut-Down: 8.5V ± 0.5 V Thermo Protection Cooling Fan: Yes AC Outlet: 2 USB Power Port: 1 Dimensions: 4.5” x 3.75” x 2” This Schumacher onboard battery maintainer is fully automatic and is an excellent choice for charging and maintaining 12V batteries. The battery maintainer charges battery in 2-12 hours and automatically switches to float-mode battery monitoring when charging is complete. It provides reverse polarity and overcharge protection and works using standard 120V AC power. Since the maintainer uses short leads the maintainer design prevents potential tangling with moving parts. Includes mounting hardware and bracket. Charges: 12V automotive starting batteries, Maintains: 12V automotive starting batteries, Desulfates: Yes, Conditioner: No, Works With: 12V batteries, Amps: 1.5, Trickle Charge Amps: 1.5, Charges Multiple Batteries (qty.): 1, Overcharge Protection: Yes, Polarity Reversal Protection: Yes, Power Source: 120V, Power Cord (ft.): 3/8 The Schumacher SE-1-12S Fully Automatic 1.5-amp Onboard Battery Charger is an AC powered automatic trickle charger / maintainer for use with 12 volt lead-acid batteries. The unit features an automatic charge cycling process that allows charging to turn on and off automatically as is necessary, and its "onboard" design and included hardware makes for easy, convenient mounting adjacent to batteries both inside and away from vehicles. Additional features include: 1.5-amp trickle charge rate, an LED charge indicator, reverse-hookup protection, molded plastic case and short leads for safety. Dedicated, automatic 12 volt battery charging for batteries of vehicles in storage. View larger. Compact size and onboard design allows for multiple mounting options. View larger. Mountable Automatic 12-Volt Battery Charging Designed to allow for safe charging of batteries used with RV, street rods, classic cars, mototcycles and snowmobiles, as well as deep-cycle or most other commonly used lead-acid batteries, the Schumacher SE-1-12S Fully Automatic Onboard Battery Charger is a convenient accessory suitable for use with most any vehicle that experiences long storage periods between uses, or requires improved battery performance during cold weather. Light, rugged and compact, its low-profile "onboard" outer design and included mounting hardware allow for easy mounting close to, if not directly on your battery's outer housing. This makes it perfect for use as a dedicated trickle charger, although it can also to mounted away from your vehicle in the case of dedicated, stand-alone charge stations for batteries. Once mounted, with the permanent ring terminal connections made and the AC power cord properly connected to a grounded 120-volt outlet*, the SE-1-12S automatically switches between charge mode and maintain mode as necessary. The charger contains an easy-to-read LED indicators related to battery connection and charge state, and an electronic control circuit which safeguards against overcharging the battery ensuring that your stored battery is safely kept at proper levels and will be ready when you need it. Additional features include: reverse hook-up protection that keeps power from flowing unless a proper connection exists; a 1.5-amp trickle charge rate; intentionally short battery leads and AC power cord that won't get tangled in moving engine parts; and a rugged molded plastic outer case. Specifications Charger Type - Fully Automatic Controlled Output Voltage - 12 VDC Input Voltage - 120 VAC Output Current Cont: 1.5A Intput Current Cont: 0.4A Dimensions - 1.57" H x 4.64" W x 5.03" D Product Weight - 1.96 lbs. What's in the Box Schumacher SE-1-12S Fully Automatic Onboard Battery Charger (with attached ring terminal cable assembly) Hardware mounting brackets and screws Users manual and warranty information Two-Year Limited Warranty Schumacher Electric Corporation (the "Manufacturer") warrants this battery charger for two (2) years from the date of purchase at retail against defective material or workmanship that may occur under normal use and care. If your unit is not free from defective material or workmanship, Manufacturer's obligation under this warranty is solely to repair or replace your product with a new or reconditioned unit at the option of the Manufacturer. It is the obligation of the purchaser to forward the unit, along with mailing charges prepaid to the Manufacturer or its authorized representatives in order for repair or replacement to occur. About Schumacher Electric Corporation Since 1947, Schumacher Electric Corporation has been leading change and driving performance to exceed its customers' expectations. Engineered patent pending technologies and award winning marketing allows Schumacher to be the brand of choice when it comes to portable power and battery charger/jump starter/maintainer/tester needs. Passion and commitment is the Schumacher way which shows as they are official supplier for chargers, jump starters and inverters for NASCAR. * Not for use with ungrounded 2-pronged outlet adapters; ensure any extension cords used are grounded and are of sufficient AWG size. Reinvigorating the role-playing genre with a fresh and modern approach, The Witcher combines unrivalled story and character development in an original, vibrant world with tactically-deep real-time combat and a challenging view of good and evil that will intrigue RPG players of all levels. Hunt with Geralt, the White Wolf He's not your average monster-hunting mercenary. View larger. He'll pit blade against beast. View larger. Or go mano v. mana. View larger. Explore an elegant and inventive combat system. View larger. Based on the "Witcher Saga" of books and short stories by Polish author Andrzej Sapkowski and built utilizing the powerful Neverwinter Nights engine, The Witcher immerses players in a beautifully vivid, but harsh fantasy world in the role of a Geralt, an adept and feared monster-slayer-for-hire. Brutally trained from birth to be a cold-hearted assassin whose services are available to the highest bidder, yet troubled by a past he can't entirely remember, Geralt is a classic anti-hero. To this most renowned of witchers, a society of mutants born with superhuman strength and reflexes and trained at a high level in magic and alchemy, killing has been and seemingly should remain a strictly commercial affair, but as questions about his past come to the fore, so do doubts surrounding the morality of his trade. And these doubts only grow when bits of his past are revealed as he and you grow in power and acclaim through the progression of the game. The Thin Line Between Good and Evil Far from a common black and white treatment of good and evil, the moral attitudes defining the world of The Witcher are as close to that of our own prevalent real world view as you are likely to see in a modern RPG. Set in a time dominated by vanity, greed and prejudice, there is no lack of work for Geralt as the kingdoms of the North forsake old alliances and give in to endless intrigue and purges instead of facing a growing tide of evil. But as despicable as the monsters, non-human enemies and pure human trash you are hired to eliminate may seem and may very well be, pity, mercy and good faith are nearly always a possible option to deadly force and one that can change Geralt's overall destiny. It's this kernel of reality in a universe peopled with fantastic and sometimes frightening beings and creatures against a backdrop of morally challenging scenarios that will keep players coming back for more as they explore the varying consequences of Geralt's choices and the choices forced upon him. Character Development A witcher's destiny is preordained at birth, but your goal is to determine Geralt's specific path. Hidden within The Witcher are a startling 250 in-game skills and abilities that allow you to define and in many cases plan the evolution of Geralt's character. Will he rely mainly on his skill with a blade? Develop into an arcane battle mage? Transform into a potent alchemist? Or meld all these skills into a more complicated, but potentially unbeatable combo of all three? Give some thought to your path, but know it will not always be an easy or thoughtful one. Filled with non-linear decision-making opportunities and consequences, expect to be forced into quick decisions, choices between the lesser of two evils and to invariably be stuck with the consequences of your employer's short-sighted plans for your services. It's these consequences that will determine your progression through the game's storyline and lead to the availability of different skills and abilities. Stunning Real-time Combat Possessing superior strength, speed and agility makes Geralt quick to draw his blade when conflict arises, but this birthright is not always the right skill to rely on and depending on the enemy, can prove disastrous. To survive in this world of varied threats you will need to put aside the button mashing common to other RPGs and utilize The Witcher's complex yet intuitive combat- based fighting system. You will learn quickly to switch seamlessly between the game's six combat styles, dozens of potions, complex alchemy and magic systems and weapons modification mode, using your mouse alone or mouse with keyboard, to add tactical depth to your combat experience. Once you have mastered these, you will also have time to appreciate the ground-breaking fluidity of the game's 600 in-game combat animations, based on actual medieval sword-fighting techniques and performed by experts at Frankfurt's renowned Metric Minds Studio. It's only through a combined focus on Geralt's physical and mental capabilities that you can hope to survive the viciously violent world he inhabits and unlock both his true potential as a warrior as well as the secrets hidden in his past. Complete Game Features: Geralt of Rivia: a one-of-a-kind protagonist A charismatic and unique character, Geralt is a mutant swordmaster and professional monster slayer. Choose from over 250 special abilities correlated to attributes, combat skills and magical powers to build the character in a way best suited to tactical needs and style of play. Original fantasy world drawn from literature Inspired by the writings of renowned Polish author Andrzej Sapkowski. Featuring adult themes, less fairy-tale than typical fantasy, with mature social issues like racism, political intrigue and genocide. It is a harsh world where nothing is black or white, right or wrong, often forcing players to choose between the lesser of two evils to advance. Non-linear and captivating storyline Full of turns, twists and ambiguous moral decisions which have real impact on the storyline. All quests can be accomplished in several ways and the game has three different endings depending on the player's actions and choices throughout the adventure. Visually stunning tactical action Engage in complex yet intuitive real-time combat based on real medieval sword-fighting techniques. Motion capture performed by medieval fighting experts at Frankfurt's renowned Metric Minds studio, resulting in 600 spectacular and authentic in-game combat animations. Six combat styles, dozens of potions, complex alchemy system, modifiable weapons and powerful magic add tactical depth to the fluid real-time experience. The Witcher is a pinnacle of storytelling in role-playing games. It shatters the line between good and evil, building a world where moral ambiguity reigns. You'll become your own idea of what a great hero should be, as you control Geralt of Rivia -- a a white-haired "witcher," monster-slayer-for-hire and master swordsman. While trying to regain his lost memory, Geralt unwillingly becomes involved in a world-shaking power struggle. In the process, you'll deal head-on with matters that most fantasy worlds ignore: Racism, political intrigue and genocide, to name a few. The Witcher emphasizes story and character development in a vibrant world, while incorporating tactically-deep real-time combat like no game before it. Incredible tactical depth - Six combat styles, dozens of potions, complex alchemy system, modifiable weapons and powerful magic -- all working together in a fluid real-time experience Inspired by the writings of renowned Polish author Andrzej Sapkowski Atari Dungeons & Dragons Daggerdale 27867 PC Games Dungeons & Dragons Daggerdale is multiplayer Action Role-playing (RPG) game set within an authentic D&D gameworld that will thrill new and more experienced players alike. In this world players must unite as they quest to stop Rezlus and his Zhentarim from invading and conquering the Dalelands. Game features include: multiple ways to play, including single player support and co-op both in local and online play; pick-up-and-play style gameplay; multiple game modes; and deep character development. Story Travel to the Forgotten Realms, where the adventure begins in the Dalelands, nestled in the remote Desertsmouth Mountains. From the sulfuric catacombs of the mines of Tethyamar, to the dizzying heights of the Tower of the Void, Dungeons & Dragons Daggerdale combines the depth of Dungeons & Dragons 4th Edition with intuitive, action packed combat that will satisfy the most seasoned of adventurers. With compelling hack-and-slash gameplay, fluid graphics, and a choice of play modes, Dungeons & Dragons Daggerdale offers an accessible, thrilling, and unmatched RPG experience. Draw your sword, notch an arrow, ready a spell and heft your axe as you quest into the Forgotten Realms. View larger. Gameplay Select an in-game race, character class and gender and set off to build your ultimate hero, questing, collecting loot and earning experience points at every turn. As part of this you can select feats, powers, and skills to enhance and customize your hero as you level up. The focus is on pick-up-and-play style action, so players within a quest group can coexist - with new players picking up the game quickly, and more advanced players delving deeper into the feature set. The game features single player and multiplayer modes, as well as four-player co-op support online, and two-player support locally with split-screen functionality. Key Game Features Solo and Co-op Play - Battle through the mines of Tethyamar and tower of Rezlus solo or with 1-3 of your friends. Questing - Combines both exploration and combat including a reward system for player progression. Immersive Combat - Battle a wide range of enemies by engaging in intuitive pick-up-and-play melee, tactical ranged combat, or powerful spell casting. Character Development - Select a class, build your ultimate hero, collect loot, and earn experience. Select feats, powers, and skills to enhance and customize your hero as you level up. Stunning Levels and Exploration - Take on a variety of perilous quests and explore the richly detailed environments of Daggerdale. Intuitive Pick-up-and-play - Easy to learn, with great depth for those who wish to master. Multiple Game Modes - Unlock new areas and challenges in Campaign mode, or hone your skills in Freeplay. Authentic D&D Experience - The detailed world of the iconic Dungeons & Dragons franchise has been painstakingly recreated for a rich, complex, and thrilling game experience Additional Screenshots Immersive combat. View larger. Single player & co-op options. View larger. Deep levels and exploration. View larger. Multiple game modes. View larger. More Info On Short Draw:

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Drawing Conclusions - the Rise of Drawing in the Contemporary Art Scene
Not so long ago, drawing became the new painting. From small-scale and intimate to wall-sized, highly-worked or resolutely low-fi; whatever its format, the re-appearance of a once side-lined medium marked a dramatic shift in its fortunes and indeed, assumptions about art in general.
But why the change? Was it that, in an art scene increasingly driven by fads, drawing became du jour simply because it hadn't been for a very long time? Or were other, less obvious factors at work?
In fact, the re-emergence of drawing was far from market-driven, and its increase in profile a far slower process than any newly voguish status might suggest.
To understand something of its current impact, it's necessary to look back at the closing years of the 20th century. A time when, to the eyes of many, the art scene looked very different indeed.
Throughout much of the 1990s visual austerity and a certain restraint governed the work of a new wave of artists; many of them British, many high-profile.
Figures such as Darren Almond, Damien Hirst, Martin Creed, Rachel Whiteread and a re-discovered Allan McCollum typified an art scene driven by hands-off, conceptual practice and stringent theoretical undertow.
Even artists whose work, by contrast, seemed more ludic and theatrical - Maurizio Catellan, the Chapman brothers, an ever-enduring Jeff Koons - shared a taste for slick, expensive, mechanized output. And in fact, looking back, there's a certain synchronistic poetry to the fact that Marc Quinn's 'Self' portrait, a principal icon of the era, quite literally froze the blood.
Further tendencies underpinned the general sense of pristine, chilly surface. Graphic design in the late 90s exulted in the hard edges of its newly perfect digital genesis, while on a popular level, serious flirtation with 'minimalism' induced homeowners to replace comfort with pristine surface and spacious void.
Clearly, any attempt to rapidly define a moment in art history is doomed to over-simplification. A vast array of artists stand in lush counterpoint to Hirst's surgically steely cabinets or Whiteread's pale, negative spaces. The work of Peter Doig, Marlene Dumas, Daniel Richter and Jörg Immendorf - to name just a few - all manifest an obvious delight in exuberant mark-making or absorbed, painterly gesture.
Yet it's certainly true that what generally made the headlines - the dissected sheep, the on/off lights, the unmade beds - were essentially 'conceptual' works that side-lined direct artistic intervention. And it's also true that, with the internet truly coming of age in the '90s, such highly publicized aesthetics became instantly and widely accessible for the first time in any history. In the mass public eye, art had gained a hard, new edge.
Yet elsewhere, a wildly contrasting vision was being far less well documented. On America's West Coast, in particular, the long-gestating seeds of a brimming alternative scene were beginning to bear considerable fruit. Its influences were multiple and diverse, yet shared the fact that all lay well outside the contemporary mainstream.
In LA, for example, the 'underground' drawings of Ray Pettibon - linked initially to the rock scene then distributed through short-run zines - had garnered fervent admirers throughout the late '70s & '80s. A major exhibition in 1992 succeeded in raising his profile both throughout the States and abroad.
Yet Pettibon's work was merely the best-known facet of a burgeoning counter-culture. One which, since 1986, had found a major advocate in the now legendary La Luz De Jesus gallery in downtown LA.
This space, located incongruously above an offbeat gift store, focused entirely on artists whose backgrounds and influences sprang from an array of popular cultures such as illustration, folk art, comics and tattooing. And this output, crucially, tended towards an intricate figurative craftsmanship more closely associated at the time with illustration than so-called 'fine' art.
The gallery and its stable of artists proved a speedy and influential local success, and in 1994, Juxtapoz, a magazine founded by Robert Williams (himself an artist and friend of famed underground artist Robert Crumb) also began to showcase this growing wave of alternative art.
Utterly at odds with the rarefied, theory-led aesthetic dominating contemporary practice at the time, this new sensibility came to be regarded as a movement. Its roots and position were defined by not just one label, but two: Low-Brow, or Pop Surrealism.
Resolutely populist - bordering, even, on kitsch - its appropriation of popular style and content within a fine art context questioned long-held assumptions regarding the parameters of art itself. Revisiting the earliest tenets of Pop Art, it nevertheless totally dismissed that movement's later associations with Warholian mass production.
And in San Francisco, too, similar trends were at work.
In the 1990s a group of artists including Chris Johansen, Clare E Rojas and Barry McGee emerged to form a distinctive new scene. Their work, though sharing much with the Low-Brow phenomenon, differed in several important respects and became known as the 'Mission School' in recognition of its essentially San Franciscan flavor.
Local influences contributed to a more whimsical, looser approach to image-making than LA tendencies at the time. Street art such as graffiti formed an intrinsic part of the scene, but was generally refined into a figurative rather than textual medium. The legacy of underground comics pioneered by the likes of Robert Crumb was also evident in cartoon-like characterization and a witty, humorous edge.
More importantly still, while painting lay at the heart of the Low-Brow movement, drawing was much more widely adopted by the Mission School artists.
In a nod to the hand-drawn agitprop and pyschedelia of '60s Haight-Ashbury, they revived techniques such as detailed patterning, hand-lettering and découpage. Materials, too, were frequently unconventional; ball-point pens, markers, recycled paper, wood or metal all found a part in the Mission School look.
This 'regional' distinction was clearly underlined in publicity for a 2000 show at LA's New Image Gallery:
SAN FRANCISCO DRAWING SHOW curated by: Alicia McCarthy and Chris Johanson. May 19 - June 17, 2000.
Straight out of San Francisco, drawings of over 15 artists will be exhibited .... Currently there are important artistic trends developing out of San Francisco. Drawing is at the root of this development.
Meanwhile, however, America's East Coast found itself forced (for once) to gradually acknowledge a nexus of creativity occurring elsewhere. While many commentators, curators and gallerists became increasingly aware that some kind of real cultural shift was taking place, others seemed slow or simply unwilling to recognize its impact or legitimacy.
Yet the growing appeal of Low-Brow and related work - especially amongst a generation of new and emerging artists - was undeniable. New galleries opened to deal exclusively in the genre, and Juxtapoz, along with many of its featured artists, began to acquire a cult following. Its international distribution and the broad reach of the internet helped ensure that this new sensibility filtered beyond the US.
The 'unofficial' Californian scene gathering pace in the '90s was intrinsically linked to a rejection of prevailing artistic practice - the notion, as Fred Tomaselli later put it, "...that people are a bit tired of the over-rationalism (sic) of the art world, this idea that you can get to everything through the cerebral."
Yet its ethos was otherwise hugely democratic and unifying, a statement of validity for neglected or side-lined art. There can be little doubt that its emergence provided an impetus behind the current interest in drawing.
But this interest - and with it, the resurgence of a particular kind of artistic engagement - was not, of course, solely confined to America's West Coast.
Elsewhere in the States, Laylah Ali's first major show of meticulously patterned, faux-naif works took place at Chicago's MOCA in 1999 (she had been featured, along with Chris Johansen, at New York's Drawing Center in the summer of 1998).
Julie Mehretu, likewise emerging towards the end of the '90s, fused painting with drawing in a myriad of complex mark-making, while Canada's Royal Art Lodge, formed in 1996, produced whimsical drawings, paintings and objects reminiscent of the Mission School's output.
In Europe, similar trends were also underway. As the 20th century drew to its close, Sweden's Jockum Nordstrüm was gaining recognition for his beautifully rendered, twisted tableaux of far from ordinary life. Switzerland's Marc Bauer produced vigorous drawings that exemplified the medium's strength, and in Britain the hand-drawn zine was adopted by Olivia Plender, albeit in a highly polished form.
While drawing, obviously, had never disappeared entirely from the gallery, these artists represent just a few of those contributing to its rapidly growing visibility towards the end of the '90s. A resurgence now so evident that, though prompted by certain definable factors, it nevertheless seems organic, almost essential; a phenomenon that quite possibly identifies as well as answers very current needs amongst today's young artists.
And what are they?
Well to start with, drawing is cheap. For those struggling with the high costs of studio space and materials, it's a medium that's financially viable as well as a manageable means of production.
What's more, it's hugely inclusive. Everyone, at some point, has experienced the act of drawing at some level, a participation which affords even the most casual observer a sense of involvement in the medium; a visceral engagement in its use that conceptual art forms often lack.
Yet despite this refreshingly egalitarian glow, it also appears that much of today's output seems directed towards highly individual, even arcane expression, a practice exemplified by intricate, almost obsessive mark-making.
On the one hand, this wholly supports an ethos by which today's artists seem to demand an intimate, personal and evident engagement with their art.
Painstaking detail and labor-intensive mark-making represent artistic endeavor for which the artist alone is responsible. No third-party construction teams, no assistants on hand to dab a brush as directed. This art is about making in the purest possible sense.
A parallel explosion in use of craft elements - beading, glittering, collage, embroidery - as well as the growing popularity of zines and artists' books - mirrors this quest for hands-on, highly personalized involvement.
Yet more intriguingly, demands for creative ownership may well serve needs besides a revision of artistic involvement.
Art, of course, has always been about reflecting and interpreting the world, but the early 21st century seems to have experienced a particularly profound re-appraisal of exactly what the world involves. The outlook is an uneasy one, marked by a growing sense of schism and dislocation, and in particular, the notion of circumstance veering out of control.
To return briefly to Pop Surrealism, true to its 'surrealist' label the movement is marked by subversion of apparent reality. Typically, this takes on disturbing, anxiety-ridden form; bio-morphed figures inhabit scenarios laden with threat; an undertow of violence is darkly enhanced by imagery plucked from childhood.
And importantly, unlike Surrealism, which investigates the interior spaces of the human psyche, Pop Surrealism obliquely focuses on physical, actual realities. Those genetic hybrids, ruined landscapes and constant simmer of threat don't merely exist in our nightmares. They're with us now.
The movement itself may have had its day as far as the art market is concerned, but the zeitgeist it portrays is clearly here to stay.
Consider, for a moment, Jean Dubuffet's famous description of L'Art Brut
"Those works created from solitude and from pure and authentic creative impulses - where the worries of competition, acclaim and social promotion do not interfere - are, because of these very facts, more precious than the productions of professions. ... we cannot avoid the feeling that in relation to these works, cultural art in its entirety appears to be the game of a futile society, a fallacious parade."
Though written in the 1950s, the proclamation reads now like a perfect manifesto for the kind of anti-establishment art scene we've been discussing. Yet quite apart from epitomizing a 'purer' alternative to the mainstream, the kind of art Dubuffet describes now carries connotations far beyond those of his original assessment.
The 'simplicity' of naïve or folk art harks back - in popular nostalgia at least - to carefree, less complex times in which a sense of place and purpose were clearly defined. It's little wonder that its revival coincides with acute apprehension regarding our own, turbulent times.
By contrast, much outsider art is clearly associated with not belonging - a characteristic most evident in its embrace of art produced by the mentally ill.
Yet here again there's a definite connection. Such work often originates through its use as a therapeutic tool; a fact that throws interesting light on the intricate, involved delineation of much recent drawing and painting. Indeed, in its conspicuous efforts to order, pattern and negotiate space, such complexity provides almost casebook examples of conflict-solving Gestalt.
More interestingly still, a significant proportion of contemporary practice doesn't just seek to interpret complex realities, but actually sets out to create them through construction of highly personal, alternative worlds.
Paul Noble's well-known drawings of fictional 'Nobson Newtown' are devoid of human figures, yet imbued with visual invention and idiosyncratic textual comment. A clear intention is to provide a reflection of the mind of their maker: as Noble himself puts it, "town planning as self-portraiture".
Other artists' fictional worlds provide similar arenas for grappling with issues that echo or parallel our own.
Michael Whittle, a recent graduate from the Royal College of Art, creates intricate drawings melding religious iconography with motifs garnered from heraldry, alchemy and science. The resulting images, snapshots of impossible states, underpin the artist's own desire to "make sense of reality" while also investigating "... man's attempts to come to terms with existence".
Camille Rose Garcia (whose practice, though largely identified with painting, includes much drawing) is well known for deceptively enchanting visions of what amounts to a near-dystopia. A recurring cast of characters battle to save or destroy a poisoned, dying world. The baddies, unfortunately, seem to be winning.
Art today appears to be grappling with a spiritual, political and therapeutic function that arguably, it hasn't reflected quite so clearly for centuries. And the fact that drawing, the most immediate and spontaneous of mediums, forms a vital aspect of the interpretation of a complex world should come as no surprise.
Postscript: Drawing right now - who we're liking
The energy of the California scene continues apace, with San Francisco still arguably the epicentre of new drawing - check out the wonderful work of Sara Thustra, Sacha Eckes, Andrew Schoultz and Simone Shubuck (a San Francisco native, though now resident in New York).
LA practice remains particularly diverse, but artists who make exciting use of drawing include Travis Millard, Adam Janes and Gina Triplett.
Elsewhere in the States, we enjoy the work of Carter, Aurel Schmidt and UK-born Dominic McGill (best known for his epic, 65ft 'Project for a New American Century').
In Europe, Richard Höglund produces interesting drawings informed by semiotics, and in the UK, artists of note include Sarah Woodfine and Adam Dant (the latter have both been recipients of the Jerwood Drawing Prize.
Most exciting of all, newcomer Laura Oldfield Ford creates large-scale, beautifully rendered drawings with astute political commentary at their core, as well as the cult zine 'Savage Messiah, an extraordinary foray into the psycho-geographic terrain of London.
About the Author
With a background in advertising, copywriting, illustration and web design, Mike currently works freelance as an SEO consultant and web content writer.
His most recent project, clickspiration.com, is aimed at the online advertising and affiliate scheme publishing sector.
Is it better for my draw length to be half inch too long or too short?
I just got an older Martin Pantera and is currently set too long draw length for me, its at 30". For "perfect" draw length I need 27.5" I can only get the mods from Martin for either 27" or 28". I ordered the 27" but now wondering which would be better?
You did the right thing. Shorter is better than longer. With a draw length that is too long, you will not be able to hold form as well. Your bow arm will extend too far and you will inevitably be striking your arm with the string, especially when you wear a coat. A shorter draw length will give you more bend at the elbow on your bow arm. You should see some nice groupings with the shorter length.
Rovers forced to settle for draw
Crystal Palace fought back to earn a valuable point from a 1-1 draw at Doncaster Rovers in what could be Neil Warnock's last match in charge. Warnock has been linked with a move to Queens Park Rangers and his team played like a side that felt sorry for themselves at the start.
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