Archie's Archery Depot

Quality built Windsor chair. Solid wood construction. Fully assembled. Smooth Contour seat comfort seating. 

This Ultra Honey Oak Adhesive contact paper is ideal to decorate or protect counters, shelves, drawers, closets. Tough, durable and repels stains. Wipes clean easily. It could be used for a variety of decor projects. Each roll features an easy-to-peel liner and an adhesive that allows it to be repositioned during installation without leaving a sticky residue. It's easy to apply, easy to remove and easy to keep clean. Simply cut to length or shape for a custom application. Size of each roll: 18 inches x 15 feet.

BoosBlock professional cutting boards are FDA-approved and are used by professional chefs throughout the United States. These high quality cutting boards are available in end grain and edge grain construction, and come in more than 39 shapes and sizes. John Boos & Co. is the number one supplier of butcher blocks countertops and cutting boards to restaurants, butchers and even the White House. BoosBlock cutting boards are manufactured by John Boos & Co. based in Effingham, Illinois. Since its inception in 1887, John Boos & Co. strives to provide the highest quality products to the most discriminating consumers.

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

Even a decade after his death at age 38 in 1997, Israel "Iz" Kamakawiwo'ole remains Hawaii's best-known and most beloved singer. His career began when he and his older brother, Skippy, formed a group in their hometown near Honolulu. The two performed together until the latter died in 1982. The band continued on for some years but it was Iz's haunting voice, with its searing yet limpid falsetto, that captured the popular imagination. Indeed, his 'ukulele-laced version of "Over the Rainbow" is widely thought to be the only interpretation that could possibly stand up to Judy Garland's original. Now that the definitive retrospective, Alone in IZ World (2001), has been released, it is perhaps inevitable that new arrangements should be slipped in under Iz's inimitable, indelible vocal tracks. The good news is, however, that these particular lush orchestrations, while totally superfluous, are nonetheless respectful and in good taste, never overwhelming the singing (as if anything could!). There are no revelations, but, fortunately, no unpleasant shocks, either. Perhaps, had he lived, Iz might have decided to go this route anyway. As with Louis Armstrong's (the title of this album refers to Iz's own cover of "What A Wonderful World") and Buddy Holly's string-backed experiments, it's simply yet another way to celebrate the legacy of a departed genius. --Christina Roden

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Eugene O'Neill loved this feature-length adaptation of his one-act sea plays, with intelligent bridging material written by Dudley Nichols and a final movement, both hellish and elegiac, appropriate to the onset of World War II. John Ford directed, in his more self-consciously arty vein (à la The Informer) but with no loss of power or passion. It's entirely fitting that the director shared his panel in the credits with cinematographer Gregg Toland, who had just shot The Grapes of Wrath for him in hard, dust-bowl sunlight and would next enter the labyrinth of Orson Welles's Citizen Kane; you'd be thrilled to have any frame of this film blown up and hanging on your wall. The focus is on the working seamen aboard a merchant ship making its way from the Caribbean to New York harbor and then England, with dangerous cargo on the transatlantic leg. Thomas Mitchell (who had won a 1939 Oscar in Ford's Stagecoach) gives a career-best performance as Driscoll; Ian Hunter plays the enigmatic shipmate known only as "Smitty"; Ford regulars Barry Fitzgerald, John Qualen, Ward Bond, Arthur Shields, and Joseph Sawyer fill key roles; and the top-billed John Wayne contributes a surprisingly effective supporting performance as Ole, a gentle Swedish giant who really belongs on a farm somewhere. Although neglected in recent years--and seriously in need of restoration to do justice to its magnificent images--this movie has a permanent place of honor in one of the most amazing three-year creative streaks (throw in Young Mr. Lincoln, Drums Along the Mohawk, and How Green Was My Valley) any director ever had. --Richard T. Jameson

Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on each other, comfort each other as death approaches, and rescue each other from danger.

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42" 5 Blade Brushed Nickel Finish with Rosewood/Bird's Eye Maple Reversible Blades Westinghouse Contempra Trio Ceiling Fan

The Westinghouse 42-inch Contempra Trio Ceiling Fan features five reversible wooden blades and a light kit with three frosted glass shades. Part of Westinghouse's Hugger series, the Contempra Trio is made for rooms with low ceilings, and it works in medium-sized rooms up to 18 by 20 feet.Contempra Trio Ceiling FanAt a Glance:Ideal for low ceilingsFive reversible wooden bladesLighting fixture with a trio of frosted glass shades provides soft lightOperates clockwise or counterclockwise for year-round useContempra Trio ceiling fans are ideal for rooms with low ceilings. View larger.Contempra Trio provides year-round comfort and maximum energy savings. View larger.Designed for Low CeilingsThe Westinghouse Contempra Trio fan is one of Westinghouse's Hugger series of fans, which are specially designed for rooms with low ceilings. This 42-inch ceiling fan is best suited for medium-sized rooms, such as recreation rooms, living rooms, or children's bedrooms.Reversible Blades and Reversible SwitchThe Contempra Trio's five blades are reversible, so you can choose the finish that best suits your room's decor. The attractive wooden blades operate smoothly and efficiently.For year-round comfort and maximum energy savings, Westinghouse ceiling fans include a three-speed, reversible switch that allows the ceiling fans to be used during cool or warm weather. In the summer, keep your home cool by running your ceiling fan counterclockwise. In the winter, run your ceiling fan clockwise to circulate warm air from the ceiling, eliminating cold spots and drafts.Light Kit with a Trio of Frosted Glass ShadesEquipped with a light kit, the Contempra Trio fan features three lights that hang beneath the center of the fan. The lighting fixture's frosted glass shades provide a soft hue of light. If you choose, use compact fluorescent bulbs to increase efficiency and reduce your energy costs.This Westinghouse fan is UL listed and is covered by a Limited Lifetime Warranty, which provides a lifetime warranty on the motor and a two-year warranty on all other parts.What's in the BoxContempra Trio ceiling fan, light kit with three frosted glass shades, five reversible fan blades, hardware, and a 12-inch lead wire.Brushed Nickel Finish with Rosewood/Bird's Eye MapleReversible BladesOil-Rubbed Bronze Finish with Dark Cherry/WalnutReversible Blades Satin Brass Finish with Walnut/MapleReversible BladesAntique Brass Finish with Oak/WalnutReversible BladesWhite Finish with White/White-Washed PineReversible Blades

Durable molded wood. High-gloss enamel finish. Fits all manufacturers' elongated bowls.

MAYFAIR DESIGNER ROUND MOLDED WOOD TOILET SEAT *16-1/2" *White hinges *White *Innovative easy close hinges eliminates slamming *Non-tarnish stylish metal hinges complement today's bath hardware *Durable multi-coat enamel finish *Fits all manufacturer's round bowls *Shrinkwrapped

An exhausted, outnumbered American infantry squad is charged with defending a frontline against the Germans in this top-notch WWII drama from director Don Siegel. Steve McQueen, Fess Parker, James Coburn, Bobby Darin, Nick Adams, and Bob Newhart lead the company into battle. 90 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: English; theatrical trailer.

Don Siegel brings his tough worldview and crisp, no-nonsense direction to this quintessential World War II drama of an undermanned American platoon in France holding off a German advance through sheer bluff and bravery. Steve McQueen is curt and surly as the insubordinate loner whose tactical skills and soldiering savvy make him indispensable to his new unit. His reputation precedes him, but commander Fess Parker is in no position to be choosy when he learns that his tired platoon will not be shipping home as rumored, but tossed into a ragged new offensive. Harry Guardino costars as the soulful Sarge; James Coburn is the slow-talking, forever-tinkering mechanic; Bobby Darin is the scavenger with a small fortune in trinkets; and Nick Adams is the Polish orphan and unit mascot. Bob Newhart makes his feature debut as a hopelessly lost typing clerk drafted into the undermanned unit and re-creates his nightclub shtick making phony phone calls near a Nazi listening post in the pillbox. Like Pork Chop Hill, this film is less a patriotic flag waver than a "war is hell" drama that frames the battle not in its tactical importance (which is negligible) but in its cost in human life. McQueen's taciturn performance as a ruthlessly effective soldier and Siegel's tough, lean direction make it a modest classic of the genre. --Sean Axmaker

Features include: •MPAA Rating: NR•Format: DVD•Runtime: 103 minutes

Bette Davis won her second Best Actress Oscar for her showcase role in this sumptuous southern costume melodrama, which was released in 1938 in response to the phenomenal popularity of Margaret Mitchell's novel Gone with the Wind. (It would take another full year for the famous film adaptation of Mitchell's novel to be released.) The setting is New Orleans in 1862, and Davis plays Julie, an egocentric southern belle who's used to getting her way. Henry Fonda plays the equally selfish banker who breaks off their engagement, prompting Julie to a variety of futile schemes to win him back. Gracefully directed by William Wyler, the film won Oscars for Davis and Fay Bainter (for Best Supporting Actress), and was nominated for Best Picture, Music Score, and Cinematography. Highlights include the lavish ball scene where unmarried ladies dressed in traditional white are horrified by Julie's scandalous red dress, and Fonda's subsequent pleasure upon witnessing Julie's humiliation. An absorbing period melodrama, this film was ultimately overshadowed by Gone with the Wind, but it remains a classic in its own right thanks to Wyler and his remarkable cast. --Jeff Shannon

Bette Davis didn't get to play Scarlett O'Hara in Gone with the Wind, but she did get to play a troublesome Southern belle in William Wyler's 1938 Jezebel. Davis's character, a coquette fond of stirring up rivalries among the men, goes too far and loses her fiancé (Henry Fonda), but she finds atonement when she cares for him during illness. This handsome melodrama by Wyler (who later directed Davis in The Little Foxes) is fully absorbing (John Huston contributed to the script), and Davis's carefully constructed performance does make one draw instant comparisons with Vivien Leigh in Gone with the Wind. --Tom Keogh

DVD